ARTISTS
'Master of blue jeans' holds key to fashion riddle
Workaday staple and fashion favourite, blue jeans have conquered the planet. But were they born in the textile mills of New Hampshire, on France's southern coast or the looms of north Italy?
Emma Charlton / AFP
19 Sep, 2010
PARIS - Workaday staple and fashion favourite, blue聽jeans have conquered the planet. But were they born in the textile mills of聽New Hampshire, on France's southern coast or the looms of north Italy?
听听
Art historians believe they have found a piece of the centuries-old puzzle聽in the work of a newly discovered 17th-century north Italian artist, dubbed聽the "Master of the Blue Jeans", whose paintings went on show in Paris this聽week.
听听
Running through his works like a leitmotif is an indigo blue fabric聽threaded with white, with rips revealing its structure, in the skirts of a聽peasant woman or the jacket of a beggar boy.
听听
"The works are very attached to the detail of clothing -- it was very rare聽for a painter to characterise the poor with such detail," said curator聽Gerlinde Gruber, who helped to identify the anonymous artist's works.
听听
"And there is blue jean in every painting except one," she said.
听听
Other details in his work, such as a knotted white kerchief in a painting聽entitled "Mother Sewing", enabled curators to locate the scenes in northern聽Italy, in the region of Venice.
听听
Historians have long traced jeans' ancestry to two sources outside the聽United States: a sturdy fabric from the French city of Nimes -- "de Nimes",聽hence "denim" -- on the one hand, and a cotton fustian from Genoa in Italy --聽"Genes" in French, becoming "Jeans" in English -- on the other.
听听
But unlike the finery worn by the upper classes, the clothes of the peasant聽classes were used until shredded through, leaving no trace.
听听
Until now there were only fragmented written records to rely on to document聽the shipments of low-cost fabric that flooded from Genoa into northern Europe聽-- and especially England -- in the mid-17th century.
听听
"We have accounts from an English tailor saying that his fabric came from聽Genoa, and that is the origin of jeans," said Gruber. "But this gives us new
documentary proof of a historical reality that has been forgotten."
听听
In a further quirk, the blue tint of the fabric was painted with the exact聽same indigo as that used to dye today's denim, according to curators.
听听
Centuries later, husband and wife design team Francois and Marithe Girbaud聽earned a reputation as modern-day masters of the jeans world -- as pioneers of聽the baggy hip-hop look, of stonewashing or stretch denim.
听听
"This calls into question the entire history we have been telling up until聽now," said Francois Girbaud, who partnered with the Paris exhibition. "And聽that's what's fun."
听听
"In people's minds, jeans used to be all about Marilyn Monroe, James Dean,聽about the United States," he said. "Nimes or Genoa? I don't have the answer.聽But it's amusing to think that jeans already existed in 1655."
听听
Ten paintings have been attributed to the Italian artist, eight of which聽are on show in Paris alongside works by contemporaries such as Michael Sweerts听辞谤 Giacomo Ceruti, loaned from museums and private collections in Rome and
Vienna.
听听
How they came together in Paris is a detective story in itself.
听听
In 2004, the Paris-based gallery owner Maurizio Canesso bought a work in聽New York by an unknown artist of the Neapolitan school.
听听
Trying to track down the origins of the painting, "The Barber's Shop",聽Canesso found a copy in a museum in Varese near Milan and says "that was when
the search really began."
听听
At the same time in Italy, unknown to him, Gruber had been joining the dots聽between works she believed to be by the same artist, who she dubbed "The
Master of the Blue Jeans" because of the recurring presence of the fabric.
听听
Her search began after two works thought to be by his hand surfaced within聽a short space of time -- the "Woman sewing with two children" and the "Beggar
boy with a piece of pie".
听听
Canesso's curiosity was aroused by a 2006 article in which Gruber described
the paintings, and over the following few years he purchased all the available
works attributed to the artist.
听听
With their use of vivid blue set against chiraoscuro backdrops, and focus聽on humble everyday scenes, the works' value is estimated at between 60,000 and
800,000 euros according to the Canesso gallery.
听听
Art historians believe they have found a piece of the centuries-old puzzle聽in the work of a newly discovered 17th-century north Italian artist, dubbed聽the "Master of the Blue Jeans", whose paintings went on show in Paris this聽week.
听听
Running through his works like a leitmotif is an indigo blue fabric聽threaded with white, with rips revealing its structure, in the skirts of a聽peasant woman or the jacket of a beggar boy.
听听
"The works are very attached to the detail of clothing -- it was very rare聽for a painter to characterise the poor with such detail," said curator聽Gerlinde Gruber, who helped to identify the anonymous artist's works.
听听
"And there is blue jean in every painting except one," she said.
听听
Other details in his work, such as a knotted white kerchief in a painting聽entitled "Mother Sewing", enabled curators to locate the scenes in northern聽Italy, in the region of Venice.
听听
Historians have long traced jeans' ancestry to two sources outside the聽United States: a sturdy fabric from the French city of Nimes -- "de Nimes",聽hence "denim" -- on the one hand, and a cotton fustian from Genoa in Italy --聽"Genes" in French, becoming "Jeans" in English -- on the other.
听听
But unlike the finery worn by the upper classes, the clothes of the peasant聽classes were used until shredded through, leaving no trace.
听听
Until now there were only fragmented written records to rely on to document聽the shipments of low-cost fabric that flooded from Genoa into northern Europe聽-- and especially England -- in the mid-17th century.
听听
"We have accounts from an English tailor saying that his fabric came from聽Genoa, and that is the origin of jeans," said Gruber. "But this gives us new
documentary proof of a historical reality that has been forgotten."
听听
In a further quirk, the blue tint of the fabric was painted with the exact聽same indigo as that used to dye today's denim, according to curators.
听听
Centuries later, husband and wife design team Francois and Marithe Girbaud聽earned a reputation as modern-day masters of the jeans world -- as pioneers of聽the baggy hip-hop look, of stonewashing or stretch denim.
听听
"This calls into question the entire history we have been telling up until聽now," said Francois Girbaud, who partnered with the Paris exhibition. "And聽that's what's fun."
听听
"In people's minds, jeans used to be all about Marilyn Monroe, James Dean,聽about the United States," he said. "Nimes or Genoa? I don't have the answer.聽But it's amusing to think that jeans already existed in 1655."
听听
Ten paintings have been attributed to the Italian artist, eight of which聽are on show in Paris alongside works by contemporaries such as Michael Sweerts听辞谤 Giacomo Ceruti, loaned from museums and private collections in Rome and
Vienna.
听听
How they came together in Paris is a detective story in itself.
听听
In 2004, the Paris-based gallery owner Maurizio Canesso bought a work in聽New York by an unknown artist of the Neapolitan school.
听听
Trying to track down the origins of the painting, "The Barber's Shop",聽Canesso found a copy in a museum in Varese near Milan and says "that was when
the search really began."
听听
At the same time in Italy, unknown to him, Gruber had been joining the dots聽between works she believed to be by the same artist, who she dubbed "The
Master of the Blue Jeans" because of the recurring presence of the fabric.
听听
Her search began after two works thought to be by his hand surfaced within聽a short space of time -- the "Woman sewing with two children" and the "Beggar
boy with a piece of pie".
听听
Canesso's curiosity was aroused by a 2006 article in which Gruber described
the paintings, and over the following few years he purchased all the available
works attributed to the artist.
听听
With their use of vivid blue set against chiraoscuro backdrops, and focus聽on humble everyday scenes, the works' value is estimated at between 60,000 and
800,000 euros according to the Canesso gallery.
