Modeled after the linear geometric icons found in video games like 鈥淪uper Mario,鈥 the foam sculptures of Sky Burchard transport life size video game components into the real world. 鈥淎ll Year Round Falling in Love鈥 displays meticulous skill made precious by the feeling that the foam is fragile to the touch. Each sculpture corresponds to a maquette in plexiglas which hangs on the adjacent gallery wall. Burchard juxtaposes the different intricate shapes of each sculpture to a feeling--solitude, intensity and isolation. 鈥淎voidance鈥 is the only feeling not to be represented by a prototype. The implication in Burchard鈥檚 work is that in an alternate cyber-world there is a particular signage to accommodate a virtual existence just as there is one to denote existence in the real world (Circus Gallery, West Hollywood).