Roberto Almagno

黑料不打烊

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Italian | 1954

Roberto Almagno is an Italian Postwar & Contemporary sculptor who was born in 1954. Numerous key galleries and museums such as La Galleria Nazionale have featured Roberto Almagno's work in the past.Roberto Almagno's work has been offered at auction multiple times, with realized prices ranging from 551 USD to 736 USD, depending on the size and medium of the artwork. Since 2013 the record price for this artist at auction is 736 USD for Senza titolo, sold at Minerva Auctions in 2017. Roberto Almagno has been featured in articles for , and . The most recent article is written for ArtDaily in January 2025.

At Auction

Notable Lots

Senza titolo

By Roberto Almagno

House by a River ,1996

By Roberto Almagno

Senza titolo ,1998

By Roberto Almagno

VIEW 7 ARTWORKS

Recent Auction Results

Senza titolo ,1998

By Roberto Almagno

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Aprosanda ,1992

By Roberto Almagno

-17%

below mid-estimate

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House by a River ,1996

By Roberto Almagno

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VIEW 7 AUCTION RESULTS

Past Exhibitions

E la mia Patria è dove: l'erba trema

La Galleria Nazionale

Rome | Italy

20 Sep, 2023 - 19 Nov, 2023

Materia

Rosenfeld

Fitzrovia | London | UK

19 Jul, 2019 - 28 Sep, 2019

Contemplating the Spiritual in Contemporary Art

Rosenfeld

Fitzrovia | London | UK

07 Jun, 2019 - 13 Jul, 2019

VIEW 7 EXHIBITIONS

Articles

Exhibition Unveils the Enduring Magic of Tasso's Oak

ArtDaily 29 Jan, 2025

Nestled atop the Janiculum Hill, overlooking the Eternal City, stands a venerable oak tree, a silent witness to centuries of Roman history and artistic inspiration.

Exhibition at Rosenfeld Porcini Features the Work of 17 International Artists

ArtDaily 20 Jul, 2019

rosenfeld porcini is presenting Materia, the gallery鈥檚 second themed exhibition this year.

Contemplating the Spiritual in Contemporary Art 鈥� Revd Jonathan Evens

ArtLyst 30 Jun, 2019

Contemplating the Spiritual in Contemporary Art a new exhibition at Rosenfeld Porcini is proof, if proof is needed, that there is no shortage of artists exploring, as Erika Doss described them, 鈥榯he intersections of iconography, religious orthodoxy, and issues of faith鈥�.

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