黑料不打烊

The exhibition unfolds over the course of five weeks, where a new work is added to the gallery space each week, creating an accumulative progression through to the final week of the exhibition.

Each artist鈥檚 work is related to the idea of 鈥榯he past鈥�; Hsieh Mu-Chi鈥檚 paintings portray a montage of styles from Taiwanese artists of an earlier generation, Syu Jia-Jhen鈥檚 sculptures reinterpret the pedestals of monuments inherited from the Japanese era, Yang Chi-Chuan鈥檚 storytelling work creates connectivity through our personal memory banks, Wang Fujui鈥檚 sound installation reinterprets the early use of video frames, while Chou Yu-Cheng revisits his previous work Flowers for Opening for the celebration of Project Fulfill Art Space鈥檚 10th anniversary.

The unique art of flower arranging is created through the trimming and adjustment of the leaves, flowers or seeds of different kinds of plants, at the same time paying consideration to the type of vase or vessel for display. This group exhibition uses the concept of flower arranging to bring together the work of five artists, and through their unique art practices including painting, sculpture, storytelling, conceptual and sound art, explores the spatial characters that informs the development of the exhibition. The slow and careful addition of each element in flower arranging lends the exhibition its defining characteristic. The exhibition鈥檚 time-based format emphasises each artist鈥檚 individual entity, while evoking Project Fulfill Art Space鈥檚 evolution over the last decade.