黑料不打烊

Dark Continents revisits the modernist fascination with tropical locales and indigenous people prevalent during the late 19th and early 20th centuries. Artists in the exhibition examine ideas and aesthetics that were popular during this time period and relate them to current views by challenging stereotypical relationships that associate femininity with nature. The exhibition also confronts the elements that impacted 鈥減rimitivist鈥� and 鈥渆xotic鈥� tendencies in art history, such as colonialist perspectives, industrialization, and the popularization of psychoanalysis. The exhibition features works by a group of international artists that includes: Ida Ekblad, Hadassah Emmerich, Naomi Fisher, Elke Krystufek, Marlene McCarty, Claudia and Julia M眉ller, and Paulina Olowska. Many of the artists are creating new works for this exhibition that include site-specific wall murals and installations in media such as painting, drawing, sculpture, collage and video. Oslo-based Ida Ekblad鈥檚 new work stems from her ongoing series of sculptures and drawings that uses appropriated mass-media images depicting non-Western cultures. Dutch artist Hadassah Emmerich鈥檚 site-specific installation investigates the relationship between feminized aesthetics and tropical themes. Miami artist Naomi Fisher鈥檚 new installation, featuring painting, photography and video, reflects her interest in the merging of the 鈥渟avage鈥� and 鈥済oddess鈥� myths. Claudia and Julia M眉ller, sisters from Switzerland, employ anthropological techniques to create artworks dealing with cultural perceptions, history, fictions and the display of ethnological information. Premiering in the U.S., Dr. Love on Easter Island (2006) and A Film Called Wood (2007), are two films by Austrian artist Elke Krystufek in which she uses Bas Jan Ader, the Dutch artist who disappeared in 1975 trying to sail across the Atlantic, as her male alter ego in a self-reflexive exploration through the South Pacific, India, and Austria. New York-based Marlene McCarty takes true stories about primates and people trying to live together as the basis for her large-scale ballpoint pen drawings, in which humans and apes are entwined in intricate embraces. Polish artist Paulina Olowska鈥檚 new work pays tribute to Zofia Stryjenska, who was once considered the 鈥淧rincess of Polish Painting,鈥� but fell to obscurity after World War II after she refused to join the new Communist government鈥檚 union of artists. Dark Continents is organized by the Museum of Contemporary Art, North Miami and is curated by Ruba Katrib, MOCA Assistant Curator. The exhibition is made possible with support from Francie Bishop Good and David Horvitz, the Mondriaan Foundation, and Office for Contemporary Art Norway.