黑料不打烊

The exhibition devoted to Ardengo Soffici (1879鈥�1964) will provide visitors with an opportunity to explore the figure of this painter, writer, polemicist and art critic who played such an active role in his day, coming into contact with, and on occasion even deeply and courageously clashing with, the movements on the Italian and European art scene of the time.  The title of the exhibition, Discoveries and Massacres, alludes to the title of Soffici鈥檚 collected writings, published between the first and second decades of the 20th century and acknowledged today (together with the cultural initiatives that he promoted and organised, such as the First Italian Exhibition of Impression in Florence in 1910) as marking a crucial contribution to the renewal of Italian art in a 20th century vein.  The exhibits on display (from Segantini, 颁茅锄补苍苍别, Renoir, Picasso, Degas, Medardo Rosso and De Chirico to Carr脿 and beyond, in addition to Soffici鈥檚 own work), chosen on the basis of Soffici鈥檚 explicit predilections and aversions, will be accompanied by critical pieces from his writings on art, ideally accompanying the visitor on a voyage of rediscovery to explore one of the most fertile and productive interpretations of the origins of contemporary art, with its crucial "discoveries" and equally drastic "massacres".