黑料不打烊

The Showroom presents Everything we see could also be otherwise (My sweet little lamb), a contextualisation and rethinking of the Vienna-based Kontakt Art Collection. The exhibition forms the epilogue of a long-term project which originally took place in Zagreb from November 2016 to May 2017, curated by What, How & for Whom/WHW in collaboration with Kathrin Rhomberg.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South-East Europe since the 1960s, including historical works by Mladen 厂迟颈濒颈苍辞惫颈膰, J煤lius Koller, Valie Export, Geta Br膬tescu, Edward Krasi艅ski and Sanja Ivekovi膰, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells,  Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljkovi膰, Oscar Murillo, Manuel Pelmus and Stephen Willats.

In Zagreb the project unfolded in six episodes, each iteration influencing, contradicting and reinforcing each other. It took place in a number of smaller art spaces, artists' studios, private apartments and other locations related to artistic production and the broader cultural landscape of the city.

This final stage of the project curated in collaboration with Emily Pethick at The Showroom, continues to reframe and expand the context of the collection. Interlacing geographically and poetically heterogeneous artist practices, the project attempts to punctuate standardized presentations and interpretations of works that have dominated international art circuits over the last few decades, with more disorderly and experimental arrangements.

The exhibition will be a dense installation of over fifty works, both historical and contemporary, incorporating diverse media including painting, photography, sculpture, video, performance and installation, which will be exhibited on the inside and outside of The Showroom鈥檚 building.

The project title is taken from a work by Croatian artist Mladen 厂迟颈濒颈苍辞惫颈膰 (1947鈥�2016), to whom the project is dedicated. 厂迟颈濒颈苍辞惫颈膰's life-long anti-systemic approach, his quiet but shrewd rebellion against social conventions and the conventions of art, and an artistic practice that trenchantly and humorously engages with complex themes of ideology, work, money, pain and poverty, inspired a generation of artists worldwide.