Exploring Compositional Epistemologies
The series Exploring Compositional Epistemologies consists of several performances and presentations, in addition to a single installation that runs for the duration of the series. These events collectively function as a platform for the synthesization of multiple fields of study, including sound, philosophy, mathematics, and linguistics. As the series unfolds, it aims to reveal new processes and trajectories by investigating the relationship between these disciplines, developing a web of exchanges between modes of reasoning and experimentation.
Exploring Compositional Epistemologies brings together essential figures of contemporary sound philosophy. Illusive and seemingly immaterial sonic forms become corporeal entities within the gallery through the intricate psychoacoustics of Florian Hecker鈥檚 3-channel installation. Guerino Mazzola, whose work has been compared to Iannis Xenakis鈥�, calls into question the correlation between gesture and topological sonic structures. Curtis Roads鈥� intuitive compositional narratives simultaneously dissolve and assemble sound within sound. In James Hoff鈥檚 audio and visual work, digital data is virally corrupted, revealing diverse and unpredictable patterns of behavior. Generic tropes of rave culture are devoured, deconstructed and regurgitated as mutated forms in Roc Jim茅nez de Cisneros鈥� playfully visceral performance. With his 鈥榩hilosophy on acid鈥� approach, Reza Negarestani examines the links between analytic pragmatism, artificial intelligence and artificial speech.
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The series Exploring Compositional Epistemologies consists of several performances and presentations, in addition to a single installation that runs for the duration of the series. These events collectively function as a platform for the synthesization of multiple fields of study, including sound, philosophy, mathematics, and linguistics. As the series unfolds, it aims to reveal new processes and trajectories by investigating the relationship between these disciplines, developing a web of exchanges between modes of reasoning and experimentation.
Exploring Compositional Epistemologies brings together essential figures of contemporary sound philosophy. Illusive and seemingly immaterial sonic forms become corporeal entities within the gallery through the intricate psychoacoustics of Florian Hecker鈥檚 3-channel installation. Guerino Mazzola, whose work has been compared to Iannis Xenakis鈥�, calls into question the correlation between gesture and topological sonic structures. Curtis Roads鈥� intuitive compositional narratives simultaneously dissolve and assemble sound within sound. In James Hoff鈥檚 audio and visual work, digital data is virally corrupted, revealing diverse and unpredictable patterns of behavior. Generic tropes of rave culture are devoured, deconstructed and regurgitated as mutated forms in Roc Jim茅nez de Cisneros鈥� playfully visceral performance. With his 鈥榩hilosophy on acid鈥� approach, Reza Negarestani examines the links between analytic pragmatism, artificial intelligence and artificial speech.
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