ARTISTS
Intersect Aspen 2025
Winston W盲chter Fine Art is pleased to be participating in Intersect Aspen 2025. Our booth will be featuring a selection of works by our represented artists, showcasing the variety of mediums and practices used to portray environmental complexities in the age of the Anthropocene. Visit us at Booth B3!
Ethan Murrow鈥檚 graphite drawings and acrylic paintings explore historical narratives and the uncomfortable ways in which they are told and molded into powerful, absurd, and subjective tales. Our booth will also feature a series of fine art prints that Murrow produced in collaboration with D.S Fine Art Editions.
Matt Gagnon鈥檚 iconic Light Stacks will also be on view. Debuting his newest sculptures, Gagnon鈥檚 Light Stacks explore his fascination with light and how materials and surroundings can transform its quality and physical presence. His totemic works incorporate oak, pine, concrete, brass, polished aluminum, and painted MDF.
Robert Wilson鈥檚 video installation of an owl embodies the quiet wisdom and subtle movements of the animal. Wilson鈥檚 Snowy Owl will be displayed in Aspen alongside the New York City exhibition, Animals, which showcases Wilson鈥檚 video portrait series and his acclaimed mastery of light and color reflecting his fascination with animals.
Heather Hutchison鈥檚 three-dimensional paintings utilize color and shadow to evoke landscapes and weather patterns. As a keen observer of nature and the human emotional experience, Hutchison emphasizes movement in her work. Her recent light boxes reference natural phenomena such as flowing rivers or moonlight above rolling tides.
Jil Weinstock uses photography, fabric, and nostalgic items from her past to explore memory and the resilience of the natural world. Encased in rubber to preserve the work, Weinstock transforms everyday items into unconventional collages, binding objects with the memories they evoke.
Lastly, Tracy Rocca debuts new work continuing her practice of building intricate layers of natural pigments taken directly from the earth. This process creates a characteristic luminosity and a dreamlike sense of depth in her ethereal works.
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Winston W盲chter Fine Art is pleased to be participating in Intersect Aspen 2025. Our booth will be featuring a selection of works by our represented artists, showcasing the variety of mediums and practices used to portray environmental complexities in the age of the Anthropocene. Visit us at Booth B3!
Ethan Murrow鈥檚 graphite drawings and acrylic paintings explore historical narratives and the uncomfortable ways in which they are told and molded into powerful, absurd, and subjective tales. Our booth will also feature a series of fine art prints that Murrow produced in collaboration with D.S Fine Art Editions.
Matt Gagnon鈥檚 iconic Light Stacks will also be on view. Debuting his newest sculptures, Gagnon鈥檚 Light Stacks explore his fascination with light and how materials and surroundings can transform its quality and physical presence. His totemic works incorporate oak, pine, concrete, brass, polished aluminum, and painted MDF.
Robert Wilson鈥檚 video installation of an owl embodies the quiet wisdom and subtle movements of the animal. Wilson鈥檚 Snowy Owl will be displayed in Aspen alongside the New York City exhibition, Animals, which showcases Wilson鈥檚 video portrait series and his acclaimed mastery of light and color reflecting his fascination with animals.
Heather Hutchison鈥檚 three-dimensional paintings utilize color and shadow to evoke landscapes and weather patterns. As a keen observer of nature and the human emotional experience, Hutchison emphasizes movement in her work. Her recent light boxes reference natural phenomena such as flowing rivers or moonlight above rolling tides.
Jil Weinstock uses photography, fabric, and nostalgic items from her past to explore memory and the resilience of the natural world. Encased in rubber to preserve the work, Weinstock transforms everyday items into unconventional collages, binding objects with the memories they evoke.
Lastly, Tracy Rocca debuts new work continuing her practice of building intricate layers of natural pigments taken directly from the earth. This process creates a characteristic luminosity and a dreamlike sense of depth in her ethereal works.
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