ARTISTS
Jaakko Myyri & Jan Berger: Expelled from Earth
How do societal worldings constitute the understanding of the self within a grand epic? In Jan Berger鈥檚 work High Seat, images of terraformed topologies are conflated with narrative snippets that allude to the making of cultural policies, their semantics, and subjectivities within their respective Western cultural world-frames.
Myyri鈥檚 sculptural ceiling works Gully-body/Aeolia-body play a constant loop of rainy day gifs: an image subject that is most commonly shared online as a backdrop to show poetic grief, personal yearnings, or the need for 鈥榓 break from everything鈥�. Myyri uses the object of a fan to both emphasise the need of machines and humans alike to cool and process, as well as the geodesic onset to communicate intimate narratives in complex environments.
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How do societal worldings constitute the understanding of the self within a grand epic? In Jan Berger鈥檚 work High Seat, images of terraformed topologies are conflated with narrative snippets that allude to the making of cultural policies, their semantics, and subjectivities within their respective Western cultural world-frames.
Myyri鈥檚 sculptural ceiling works Gully-body/Aeolia-body play a constant loop of rainy day gifs: an image subject that is most commonly shared online as a backdrop to show poetic grief, personal yearnings, or the need for 鈥榓 break from everything鈥�. Myyri uses the object of a fan to both emphasise the need of machines and humans alike to cool and process, as well as the geodesic onset to communicate intimate narratives in complex environments.
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