黑料不打烊

This exhibition takes its title from a classical technique found in traditional Chinese painting and calligraphy. 鈥淔raming鈥� refers to the outlining of character forms using fine, controlled ink lines, while 鈥淔illing鈥� reveals the subsequent process of inking within the contours. This method emphasizes both the construction of external forms and filling of internal content while embodying a co-constructed relationship between structure and meaning. By adapting this historical technique, the artist not only engages with the lineage of calligraphy practice, but also reinterprets the term 鈥淔raming鈥� and 鈥淔illing鈥� as a conceptual model for contemporary art-making. This model implies a dual approach: the framing of contemporary social appearances, and the critical filling-in of the vacuums, absurdities, or recursive problems within. Through this, the work constructs a language of art grounded in critique and reflection. The exhibition considers the evolving form and meaning of calligraphy in contemporary practice. It investigates how calligraphy circulates and is reactivated within everyday contexts and invites viewers to engage with 鈥渨riting鈥� as an open-ended and imaginative act.