Social Photography VIII
Carriage Trade is pleased to present "Social Photography VIII", the eighth installment of carriage trade鈥檚 cell phone photography show. While Social Photography is not guided by an all-encompassing theme, each year鈥檚 collection of pictures becomes an informal archive reflecting a range of recent social experience. Taking place in the midst of significant societal vulnerability and political conflict across the U.S., this year鈥檚 show presents an opportunity to recognize the importance of the ordinary or everyday in the face of the extraordinary, while also perhaps indicating a certain amount of resilience among the contributors, given the practical and emotional demands of a very uncertain moment.
Cell phones have become a kind of appendage for many, offering the ability to communicate, track, record, and archive every experience, then routinely feed the results into a social media stream. With its scrolling, "bottomless" format encouraging impulsive interaction, a perplexing mix of the anecdotal, the self-promotional, and the politically urgent coexist without perceptible context. Largely indifferent to codes of ethics or aesthetics, all content is subjected to peer rating systems and shifting algorithms that target the user based on their "stimulus patterns", while the split second experience of the social media image guarantees a short shelf life as it perpetually fuels the insatiable appetite of the attention economy.
As an eight plus year project, "Social Photography" has evolved with cell phone technology and in parallel with the development of social media. What began as an investigation of a novelty medium which simultaneously offered an alternative to the conventional non-profit benefit exhibition has become a kind of tradition, as it sustains and expands carriage trade鈥檚 community through its many participants, while helping support upcoming projects. While cell phone images are generally "unstable" through their constant movement within digital platforms, "Social Photography" links the cell phone picture鈥檚 virtual origins to an in-person gallery experience.
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Carriage Trade is pleased to present "Social Photography VIII", the eighth installment of carriage trade鈥檚 cell phone photography show. While Social Photography is not guided by an all-encompassing theme, each year鈥檚 collection of pictures becomes an informal archive reflecting a range of recent social experience. Taking place in the midst of significant societal vulnerability and political conflict across the U.S., this year鈥檚 show presents an opportunity to recognize the importance of the ordinary or everyday in the face of the extraordinary, while also perhaps indicating a certain amount of resilience among the contributors, given the practical and emotional demands of a very uncertain moment.
Cell phones have become a kind of appendage for many, offering the ability to communicate, track, record, and archive every experience, then routinely feed the results into a social media stream. With its scrolling, "bottomless" format encouraging impulsive interaction, a perplexing mix of the anecdotal, the self-promotional, and the politically urgent coexist without perceptible context. Largely indifferent to codes of ethics or aesthetics, all content is subjected to peer rating systems and shifting algorithms that target the user based on their "stimulus patterns", while the split second experience of the social media image guarantees a short shelf life as it perpetually fuels the insatiable appetite of the attention economy.
As an eight plus year project, "Social Photography" has evolved with cell phone technology and in parallel with the development of social media. What began as an investigation of a novelty medium which simultaneously offered an alternative to the conventional non-profit benefit exhibition has become a kind of tradition, as it sustains and expands carriage trade鈥檚 community through its many participants, while helping support upcoming projects. While cell phone images are generally "unstable" through their constant movement within digital platforms, "Social Photography" links the cell phone picture鈥檚 virtual origins to an in-person gallery experience.
Artists on show
- Adam Simon
- Agnes Barley
- Ala Dehghan
- Alex Kwartler
- Alexandra Lerman
- Ali Van
- Amy Ben-Ezra
- Andrea Frank
- Andrew Ginzel
- Anna Kleberg
- Anthony Allen
- Antoine Catala
- Ashley Garrett
- Aura Rosenberg
- Barbara Bloom
- Barbara Ess
- Brett Wallace
- Brian Wood
- Bryn Jayes
- Calvin Reid
- Carol Szymanski
- Chris Dorland
- Christopher Schade
- Dan Torop
- David Baskin
- David Deutsch
- Dennis Adams
- Dennis Kardon
- Diana Schmertz
- Diane Nerwen
- Duy Hoàng
- Emergency Eyewash
- Emily Hunt
- Emily Hunt
- Essye Klempner
- Fred Cray
- Gary Indiana
- Gary Stephan
- Gelah Penn
- George Stoll
- Ginny Huo
- Gwenn Thomas
- Hal Foster
- Heidi Schlatter
- Iso Rae
- James Siena
- Jane Kaplowitz
- Jeanne Marie Wasilik
- Jeff Gibson
- Jeff Preiss
- Jennifer Bolande
- Jeremiah Day
- Jeri Coppola
- Jiajia Zhang
- Jody Culkin
- John Opera
- John Schabel
- Jordan Barse
- Joseph Carter
- Joseph Magliaro
- Joyce Kim
- Julia Wachtel
- Julien Bismuth
- Justen Ladda
- Kai Matsumiya
- Karl Holmqvist
- Keenan Jay
- LaMont Hamilton
- Laura Hunt
- Laura Parnes
- Leah Singer
- Lee Ranaldo
- Liam Gillick
- Lisa Beck
- Lisa Blas
- Louise Lawler
- Mathias Kessler
- Mengfan Bai
- Micaela Carolan
- Michael Ashkin
- Michele Araujo
- Michelle Grabner
- Mira Dayal
- Molly Soda
- Momoyo Torimitsu
- Nicholas Knight
- Nora Chellew
- Noritoshi Hirakawa
- Paul Young
- Pedro Wirz
- Peggy Ahwesh
- Perry Bard
- Peter Bellamy
- Philip Vanderhyden
- Pieter Schoolwerth
- Rachel Harrison
- Raphaele Shirley
- Richard Bosman
- Richard Stone
- Rirkrit Tiravanija
- Robert Goldman
- Ruthie Abel
- Satoru Eguchi
- Scott Williams
- Shirley Irons
- Shy Adelman
- Simon Leung
- Sophie Tottie
- Steel Stillman
- Stephan Pascher
- Stephen Lack
- Stephen Maine
- Steve Benson
- Tobias Rehberger
- Tom Forkin
- Tracey Emin
- Udomsak Krisanamis
- Victoria Campbell
- William Wegman
- Ying Liu
- Yuki Higashino
- Zoe Pettijohn