黑料不打烊

During the first five years of the sixties many artists, stimulated by philosophers and historians began to question the timing of modernity and its progressive idea of history, based on a sequence of periods and movements. Since then , time as a concept begins to rethink and raised in texts and works of art from a simultaneity between past , present and future. It is during these years that art historiography marks the change between modernity and contemporaneity , understanding the latter as a postmodern scenario where changes are cyclical and where prevailing others and describe ways to tell time, for example from the art . 
That's why the Museum of Art Carrillo Gil finds it interesting and important to address a selection of works from the Collection Adrastus from a curatorial exercise guest curated by Carlos Palacios, valuing it arises from its inherent synchronicity , both as a whole and from its own specificities , since institutional intent of this collection is to reflect the artistic creation of the early twenty-first century . At the same time , tries to account for the contradictions and diversity of art in the age of globalization, cultural, political and temporal understanding which we live precisely under a wide stratification temporalities premodern , modern and postmodern .
The works are gathered here as indeed the Kubler , "a part of an event or an emanation stopped last time ." The events of these pieces are on one hand off inherent in them : The time and place , the transience of a moment crossed by the disappearance ghostly footprint as a stratification time or distance , memory and recall as pictures history or blurred over time as matter. All this is threaded with their status as real objects and present. But these works are paradoxically turn historical objects , remnants of a past authorial experience are instituted as a vanitas of the voracity with which the clock is ticking today.
It is logical that the artist conceived this exhibition from a collaborative strategy . Aguirre usually work this way since 1979 , when he enters " Pentagon Process " , one of the famous groups in Mexico validated collective artistic work . In this exercise curatorial , interpretation joined other "actors " who opined on relevant aspects in the work of Orozco and his vision of women and the feminine, the Mexican Revolution , architecture or related matters life and its projection artistic and political . In this way , the exhibition stands as a symposium where the exponents argument rests not only in literary discourse but also visual .
However, despite this narrative intention seeking Adrastus Collection , The eye in no time you try to sort the works under any precise classification or group according to some order . The intention is to understand " the complexity of things loose ," as stated Kubler referring to the problem of ordering the story sequences . Thus, seeing the objects and situations proposed by the artists , we can establish our own links between the works and their specific discourses , watching these works we can see the layers of time then represented. As Robert Smithson wrote , one of the creators that more reflect both in his writings and in his work on this issue during those years and yet attentive reader of George Kubler : "Time as decay or biological evolution is eliminated and allows the eye see time as an infinity of surfaces or structures or both combined. " The exhibition is open to the public from 5 October until January 12, 2014 on the third floor of the Museo de Arte Carrillo Gil , located on Avenida Revolucion 1608, Colonia San Angel. * As stated in the first lines of his essay " Before Time " the philosopher and historian Georges Didi Huberman : Always at the image , this is the time "
The Adrastus Collection began its activities for more than ten years , at the time the collector Javier Lumbreras and his wife , Lorena Perez -Jacome , were given the task of forming a collection that reflects the best of the artistic creation of principles XXI century and at the same time emphasis on the contradictions and diversity of artistic expression in this era of globalization. " from this ambitious approach , these collectors have formed an important collection of works of creators paradigmatic as important as Pierre Huyghe , Roman Ond谩k , Gabriel Sierra , Cinthia Marcelle , Franz Ackermann , Quisqueya Henriquez, Justin Lieberman , Pawel Althamer , Monika Sosnowska and Rosa Barba among many others . The variety of topics and issues that they addressed in their groundbreaking creators formal solutions make this collection a melting pot of what is meant by international contemporary art today.