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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Christ and the Woman of Samaria: An arched Print (B., Holl. 70; H. 294) by Rembrandt van Rijn, 1657

    Christ and the Woman of Samaria: An arched Print (B., Holl. 70; H. 294) ,1657

    etching with drypoint
    P. 126 x 162 mm., S. 133 x 167 mm
    Estimate:
    Result:
    Christ and the Woman of Samaria: An arched Print (B., Holl. 70; H. 294) by Rembrandt van Rijn, 1657

    Christ and the Woman of Samaria: An arched Print (B., Holl. 70; H. 294) ,1657

    etching with drypoint
    S. 123 x 160 mm
    Estimate:
    Result:
    Christ and the Woman of Samaria: An arched print by Rembrandt van Rijn, 1657

    Christ and the Woman of Samaria: An arched print ,1657

    etching with drypoint
    S. 125 x 162 mm. (B. 70) S. 122 x 106 mm. (B. 71)
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

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    A Man making Water (B., Holl. 190; H. 45)

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    Receuil de quatre-vingt-cinq Estampes originales...par Rembrandt

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    Abraham casting out Hagar and Ishmael (B., Holl. 30; H. 149)

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    The Crucifixion: Small Plate (B., Holl. 80; H. 123)

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    A Peasant in a high Cap, standing leaning on a Stick (B., Holl. 133; H. 164)

    A Peasant in a high Cap, standing leaning on a Stick (B., Holl. 133; H. 164)

    The Artist's Mother seated at a Table looking right: Three-quarter Length (B., Holl. 343; H. 52)

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    Naked Man seated before a Curtain (B., Holl. 93, H. 220)

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