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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    ABRAHAM ENTERTAINING THE ANGELS (B., HOLL. 29; NEW HOLL. 295; H. 286) by Rembrandt van Rijn, 1606 - 1669

    ABRAHAM ENTERTAINING THE ANGELS (B., HOLL. 29; NEW HOLL. 295; H. 286) ,1606 - 1669

    Etching and drypoint,
    sheet: 162 by 134mm 6录 by 5录in
    Estimate:
    Result:
    Rembrandt, Harmensz. van Rijn by Rembrandt van Rijn, 1606

    Rembrandt, Harmensz. van Rijn ,1606

    Etching and drypoint
    21,1 x 16,3 cm
    Estimate:
    Result:
    My Collection
    DAVID IN PRAYER (B., HOLL. 41; NEW HOLL. 268; H. 258) by Rembrandt van Rijn, 1606 - 1669

    DAVID IN PRAYER (B., HOLL. 41; NEW HOLL. 268; H. 258) ,1606 - 1669

    Etching and drypoint,
    REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 DAVID IN PRAYER (B., HOLL. 41; NEW HOLL. 268; H. 258) Etching and drypoint, 1652, a very good, atmospheric impression of New Hollstein's first state (of three), printing with touches of burr, unframed sheet: 141 by 93mm 5陆 by 3鈪漣n
    Estimate:
    Result:
    JEWS IN THE SYNAGOGUE (B., HOLL. 126; NEW HOLL. 242; H. 234) by Rembrandt van Rijn, 1606 - 1669

    JEWS IN THE SYNAGOGUE (B., HOLL. 126; NEW HOLL. 242; H. 234) ,1606 - 1669

    Etching and drypoint,
    REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 JEWS IN THE SYNAGOGUE (B., HOLL. 126; NEW HOLL. 242; H. 234) Etching and drypoint, 1648, a very good impression of New Hollstein's聽second state聽(of nine), on paper with a partial Foolscap with Five-Pointed Collar watermark (cf. Hinterding K.a.), unframed聽 plate: 73 by 131mm 2鈪� by 5鈪沬n sheet: 77 by 134mm 3 by 5录in
    Estimate:
    Result:
    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280) by Rembrandt van Rijn, 1606 - 1669

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280) ,1606 - 1669

    Etching and drypoint,
    Property from a Private Collection REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280) Etching and drypoint, 1654, a very fine, cleanly-wiped impression of New Hollstein's first state (of three), printing with great contrasts and rich burr, unframed plate: 210 by 163mm 8鈪� by 6鈪渋n sheet: 214 by 165mm 8陆 by 6陆in
    Estimate:
    Result:
    Landscape with Three Gabled Cottages beside a Road by Rembrandt van Rijn, 1650

    Landscape with Three Gabled Cottages beside a Road ,1650

    Etching and drypoint
    6 1/2 x 8 in.
    Estimate:
    Result:
    LANDSCAPE WITH THREE GABLED COTTAGES BESIDE A ROAD (B., HOLL. 217; NEW HOLL. 248; H. 246) by Rembrandt van Rijn, 1650

    LANDSCAPE WITH THREE GABLED COTTAGES BESIDE A ROAD (B., HOLL. 217; NEW HOLL. 248; H. 246) ,1650

    Etching and drypoint
    sheet: 171 by 211mm 6 7/8 by 8 1/4 in
    Estimate:
    Result:
    Landscape with Three Gabled Cottages beside a Road by Rembrandt van Rijn, 1650

    Landscape with Three Gabled Cottages beside a Road ,1650

    Etching and drypoint
    162 x 204 mm
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

    THE RAISING OF LAZARUS: THE LARGER PLATE (B., HOLL. 73; NEW HOLL. 113; H. 96)

    THE RAISING OF LAZARUS: THE LARGER PLATE (B., HOLL. 73; NEW HOLL. 113; H. 96)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    CLUMP OF TREES WITH A VISTA (B., HOLL. 222; NEW HOLL. 272; H. 263)

    CLUMP OF TREES WITH A VISTA (B., HOLL. 222; NEW HOLL. 272; H. 263)

    THE ARTIST'S MOTHER IN A CLOTH HEADDRESS, LOOKING DOWN: HEAD ONLY (B., HOLL. 351; NEW HOLL. 121; H. 107)

    THE ARTIST'S MOTHER IN A CLOTH HEADDRESS, LOOKING DOWN: HEAD ONLY (B., HOLL. 351; NEW HOLL. 121; H. 107)

    THE ANGEL APPEARING TO THE SHEPHERDS (B., HOLL. 44; NEW HOLL. 125; H. 120)

    THE ANGEL APPEARING TO THE SHEPHERDS (B., HOLL. 44; NEW HOLL. 125; H. 120)

    THE ARTIST DRAWING FROM THE MODEL ('HET BEELDT VAN PIGMALION') (B., HOLL. 192; NEW HOLL. 176; H. 231)

    THE ARTIST DRAWING FROM THE MODEL ('HET BEELDT VAN PIGMALION') (B., HOLL. 192; NEW HOLL. 176; H. 231)

    JAN CORNELIS SYLVIUS (B., HOLL. 266; NEW HOLL. 124; H. 111)

    JAN CORNELIS SYLVIUS (B., HOLL. 266; NEW HOLL. 124; H. 111)

    THE SECOND ORIENTAL HEAD (B., HOLL. 287; NEW HOLL. 150; H. 132)

    THE SECOND ORIENTAL HEAD (B., HOLL. 287; NEW HOLL. 150; H. 132)

    THE VIRGIN AND CHILD WITH THE CAT AND THE SNAKE (B., HOLL. 63; NEW HOLL. 278; H. 275)

    THE VIRGIN AND CHILD WITH THE CAT AND THE SNAKE (B., HOLL. 63; NEW HOLL. 278; H. 275)

    Recent Lots by Rembrandt van Rijn

    Two boxes of various Rembrandt reference works - Rembrandt van Rijn

    Two boxes of various Rembrandt reference works - Rembrandt van Rijn

    Clarke & Simpson;
    Three boxes of various books to include Rembrandt - Rembrandt van Rijn

    Three boxes of various books to include Rembrandt - Rembrandt van Rijn

    Clarke & Simpson;
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    Rembrandt van Rijn Prints & Graphic Art Performance

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