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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The Sleeping Herdsman. by Rembrandt van Rijn, circa 1644

    The Sleeping Herdsman. ,circa 1644

    Etching and drypoint
    78x57 mm; 3x2录 inches
    Estimate:
    Result:
    The Sleeping Herdsman by Rembrandt van Rijn, circa 1644

    The Sleeping Herdsman ,circa 1644

    Etching and drypoint
    79x58 mm
    Estimate:
    Result:
    My Collection
    The Rest on the Flight into Egypt: A Night Piece by Rembrandt van Rijn, circa 1644

    The Rest on the Flight into Egypt: A Night Piece ,circa 1644

    Etching and drypoint
    ht in ht 93x60 mm; 3 3/4x2 inches,
    Estimate:
    Result:
    The Sleeping Herdsman by Rembrandt van Rijn, Circa 1644

    The Sleeping Herdsman ,Circa 1644

    Etching and drypoint
    3 1/8 x 2 1/4 inches
    Estimate:
    Result:
    The Sleeping Herdsman by Rembrandt van Rijn, 1644

    The Sleeping Herdsman ,1644

    etching and drypoint
    Plate 78 x 57 mm., Sheet 81 x 59 mm
    Estimate:
    Result:
    The Rest on the Flight into Egypt: A Night Piece by Rembrandt van Rijn, 1644

    The Rest on the Flight into Egypt: A Night Piece ,1644

    Etching and drypoint
    9.1 x 5.9 cm.
    Estimate:
    Result:
    The Rest on the Flight to Egypt 鈥揳 night piece by Rembrandt van Rijn, circa 1644

    The Rest on the Flight to Egypt 鈥揳 night piece ,circa 1644

    etching and drypoint
    9,2 x 5,9 cm
    Estimate:
    Result:
    The Rest on the Flight into Egypt: A Night Piece by Rembrandt van Rijn, circa 1644

    The Rest on the Flight into Egypt: A Night Piece ,circa 1644

    Etching and drypoint
    92 x 59mm (3 5/8 x 2 1/4in)
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    DAVID AND GOLIATH (B., HOLL. 36; NEW HOLL. 288C; H. 284)

    DAVID AND GOLIATH (B., HOLL. 36; NEW HOLL. 288C; H. 284)

    SELF-PORTRAIT WITH SASKIA (B., HOLL. 19; NEW HOLL. 158; H. 144)

    SELF-PORTRAIT WITH SASKIA (B., HOLL. 19; NEW HOLL. 158; H. 144)

    WOMAN WITH A HIGH HEADDRESS WRAPPED AROUND THE CHIN: BUST (B., HOLL. 358; NEW HOLL. 58; H. 83)

    WOMAN WITH A HIGH HEADDRESS WRAPPED AROUND THE CHIN: BUST (B., HOLL. 358; NEW HOLL. 58; H. 83)

    WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 289)

    WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 289)

    CHRIST AT EMMAUS: THE LARGER PLATE (B., HOLL. 87; NEW HOLL. 283; H. 282)

    CHRIST AT EMMAUS: THE LARGER PLATE (B., HOLL. 87; NEW HOLL. 283; H. 282)

    A SCHOLAR IN HIS STUDY ('FAUST') (BARTSCH, HOLLSTEIN, NEW HOLLSTEIN 270; HIND 260)

    A SCHOLAR IN HIS STUDY ('FAUST') (BARTSCH, HOLLSTEIN, NEW HOLLSTEIN 270; HIND 260)

    JAN UYTENBOGAERT, 'THE GOLDWEIGHER' (B., HOLL. 281; NEW HOLL. 172; H. 167)

    JAN UYTENBOGAERT, 'THE GOLDWEIGHER' (B., HOLL. 281; NEW HOLL. 172; H. 167)

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

    THE PRESENTATION IN THE TEMPLE: OBLONG PLATE (B., HOLL. 49; NEW HOLL. 184; H. 162)

    THE PRESENTATION IN THE TEMPLE: OBLONG PLATE (B., HOLL. 49; NEW HOLL. 184; H. 162)

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