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Jo Meisner Olga Engel Milan Schiller Inocenc Brázdil Pop Hart Palekh School, 19th century Italian School, 21st Century Victor Sarfati Satoshi Odagiri Hen Maman
 

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168 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147) by Rembrandt van Rijn, 1636

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147) ,1636

    Etching
    plate: 159 by 136mm 6 1/4 by 5 3/8 in sheet: 165 by 146mm 6 1/2 by 5 3/4 in
    Estimate:
    Result:
    The Return of the Prodigal Son (B., Holl. 91; New Holl. 159; H. 147) by Rembrandt van Rijn, 1636

    The Return of the Prodigal Son (B., Holl. 91; New Holl. 159; H. 147) ,1636

    Etching
    154 by 136mm
    Estimate:
    Result:
    The Return of the Prodigal Son (B., Holl. 91; New Holl. 159; H. 147) by Rembrandt van Rijn, 1636

    The Return of the Prodigal Son (B., Holl. 91; New Holl. 159; H. 147) ,1636

    Etching
    156 by 136mm
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    Available Works from Galleries

    The Death Of The Virgin

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    Christopher-Clark Fine Art
    Self-Portrait, Frowning: Bust

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    Christopher-Clark Fine Art

    More Lots by Rembrandt van Rijn in This Sale

    SELF PORTRAIT WITH SASKIA (BARTSCH, HOLLSTEIN 19; NEW HOLLSTEIN 158; HIND 144)

    SELF PORTRAIT WITH SASKIA (BARTSCH, HOLLSTEIN 19; NEW HOLLSTEIN 158; HIND 144)

    CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE (B., HOLL. 69; NEW HOLL. 139; H. 126)

    CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE (B., HOLL. 69; NEW HOLL. 139; H. 126)

    THE CIRCUMCISION IN THE STABLE; JAN LUTMA, GOLDSMITH; AND SELF-PORTRAIT DRAWING AT A WINDOW (B., HOLL. 47, 276, 22; NEW HOLL. 280, 293, 240; H. 274, 290, 229)

    THE CIRCUMCISION IN THE STABLE; JAN LUTMA, GOLDSMITH; AND SELF-PORTRAIT DRAWING AT A WINDOW (B., HOLL. 47, 276, 22; NEW HOLL. 280, 293, 240; H. 274, 290, 229)

    A COLLECTION OF PRINTS (B., HOLL. 41, 49, 53, 87, 98, 125, 131, 194, 195, 272)

    A COLLECTION OF PRINTS (B., HOLL. 41, 49, 53, 87, 98, 125, 131, 194, 195, 272)

    CLUMP OF TREES WITH A VISTA (B., HOLL. 222; NEW HOLL. 272; H. 263)

    CLUMP OF TREES WITH A VISTA (B., HOLL. 222; NEW HOLL. 272; H. 263)

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290)

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290)

    BEGGAR MAN AND WOMAN BEHIND A BANK (B., HOLL. 165; NEW HOLL. 51; H. 13)

    BEGGAR MAN AND WOMAN BEHIND A BANK (B., HOLL. 165; NEW HOLL. 51; H. 13)

    LANDSCAPE WITH THREE GABLED COTTAGES BESIDE A ROAD (B., HOLL. 217; NEW HOLL. 248; H. 246)

    LANDSCAPE WITH THREE GABLED COTTAGES BESIDE A ROAD (B., HOLL. 217; NEW HOLL. 248; H. 246)

    LANDSCAPE WITH A SQUARE TOWER (B., HOLL. 218; NEW HOLL. 250; H. 245)

    LANDSCAPE WITH A SQUARE TOWER (B., HOLL. 218; NEW HOLL. 250; H. 245)

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