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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The Triumph of Mordecai by Rembrandt van Rijn, 1641

    The Triumph of Mordecai ,1641

    Etching and drypoint
    163x213 mm; 5 1/2x8 1/2 inches
    Estimate:
    Result:
    The Triumph of Mordecai by Rembrandt van Rijn, circa 1641

    The Triumph of Mordecai ,circa 1641

    Etching and drypoint
    163x213 mm; 5 1/2x8 1/2 inches
    Estimate:
    Result:
    My Collection
    The Triumph of Mordecai by Rembrandt van Rijn, circa 1641

    The Triumph of Mordecai ,circa 1641

    Etching and drypoint
    163x213 mm
    Estimate:
    Result:
    The Baptism of the Eunuch by Rembrandt van Rijn, 1641

    The Baptism of the Eunuch ,1641

    Etching and drypoint
    183x214 mm; 7 1/4x8 1/2 inches
    Estimate:
    Result:
    The Baptism of the Eunuch by Rembrandt van Rijn, 1641

    The Baptism of the Eunuch ,1641

    Etching and drypoint
    7 1/4 x 8 1/2 in
    Estimate:
    Result:
    The Triumph of Mordecai by Rembrandt van Rijn, circa 1641

    The Triumph of Mordecai ,circa 1641

    Etching and drypoint
    172 x 214 mm (6 3/4 x 8 1/2 in)
    Estimate:
    Result:
    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172) by Rembrandt van Rijn, circa 1641

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172) ,circa 1641

    Etching and drypoint
    plate: 175 by 215mm 6 7/8 by 8 1/2 in sheet: 177 by 217mm 7 by 8 1/2 in
    Estimate:
    Result:
    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172) by Rembrandt van Rijn, circa 1641

    THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172) ,circa 1641

    Etching and drypoint
    plate: 174 by 215mm 6 7/8 by 8 1/2 in sheet: 179 by 218mm 7 by 8 5/8 in
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    THE RINGBALL PLAYER; AND MAN DRAWING FROM A CAST (B., HOLL. 125, 130; NEW HOLL. 282, 192; H. 272, 191)

    THE RINGBALL PLAYER; AND MAN DRAWING FROM A CAST (B., HOLL. 125, 130; NEW HOLL. 282, 192; H. 272, 191)

    THE SHIP OF FORTUNE (B. HOLL. 111; NEW HOLL. 123; H. 106)

    THE SHIP OF FORTUNE (B. HOLL. 111; NEW HOLL. 123; H. 106)

    BEGGAR MAN AND BEGGAR WOMAN CONVERSING (B., HOLL. 164; NEW HOLL. 45; H. 7)

    BEGGAR MAN AND BEGGAR WOMAN CONVERSING (B., HOLL. 164; NEW HOLL. 45; H. 7)

    BEGGAR WITH A WOODEN LEG (B., HOLL. 179; NEW HOLL. 49; H. 12)

    BEGGAR WITH A WOODEN LEG (B., HOLL. 179; NEW HOLL. 49; H. 12)

    JOSEPH TELLING HIS DREAMS; AND MENASSEH BEN ISRAEL (B., HOLL. 37, 269; NEW HOLL. 167, 156; H. 160, 146)

    JOSEPH TELLING HIS DREAMS; AND MENASSEH BEN ISRAEL (B., HOLL. 37, 269; NEW HOLL. 167, 156; H. 160, 146)

    THE BLIND FIDDLER (B., HOLL. 138; NEW HOLL. 77; H. 38)

    THE BLIND FIDDLER (B., HOLL. 138; NEW HOLL. 77; H. 38)

    A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

    A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

    NEGRESS LYING DOWN (B., HOLL. 205; NEW HOLL. 308; H. 299)

    NEGRESS LYING DOWN (B., HOLL. 205; NEW HOLL. 308; H. 299)

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

    THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

    JOSEPH鈥橲 COAT BROUGHT TO JACOB (B., HOLL. 38; NEW HOLL. 122; H.104)

    JOSEPH鈥橲 COAT BROUGHT TO JACOB (B., HOLL. 38; NEW HOLL. 122; H.104)

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