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Jo Meisner Olga Engel Milan Schiller Inocenc Brázdil Pop Hart Palekh School, 19th century Italian School, 21st Century Victor Sarfati Satoshi Odagiri Hen Maman
 

Repeated Sales


7 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Turning and Turning in the Widening Gyre by Victor Pasmore, 1974

    Turning and Turning in the Widening Gyre ,1974

    Etching and aquatint with screenprint
    607 x 710mm (23 7/8 x 27 7/8in)( 60 in
    Estimate:
    Result:
    When the Lute is Broken by Victor Pasmore, 1974

    When the Lute is Broken ,1974

    Etching and aquatint with screenprint
    710 x 605mm (28 x 23 3/4in)( 60 in
    Estimate:
    Result:
    Untitled by Victor Pasmore, 1975

    Untitled ,1975

    etching, aquatint and screenprint
    37.5 x 37.5 cm
    Estimate:
    Result:
    Untitled by Victor Pasmore, 1972

    Untitled ,1972

    aquatint and etching
    15 3/4 x 15 3/4 in
    Estimate:
    Result:
    Untitled by Victor Pasmore, 1974

    Untitled ,1974

    etching and aquatint
    15 1/4 x 15 1/4''
    Estimate:
    Result:
    Untitled by Victor Pasmore, 1974

    Untitled ,1974

    Aquatint
    37.5 x 38cm
    Estimate:
    Result:
    POINTS OF CONTACT NO. 21 (B./L. 36) by Victor Pasmore, 1974

    POINTS OF CONTACT NO. 21 (B./L. 36) ,1974

    Etching and aquatint printed in colours
    56 by 39.4cm.
    Estimate:
    Result:
    Points of Contact No. 21 (B./L. 36) by Victor Pasmore, 1974

    Points of Contact No. 21 (B./L. 36) ,1974

    Screenprint in colors on wove paper
    22 x 15 1/2 in; sheet: 34 1/4 x 23 1/2 in
    Estimate:
    Result:
    Brown Image by Victor Pasmore, 1974

    Brown Image ,1974

    etching and aquatint with screenprint
    79.5 x 21 cm
    Estimate:
    Result:
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    Image on the wall D

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    Tower of Babylon

    Linear Motif in Three Movements (Thames and Hudson G 43)

    Linear Motif in Three Movements (Thames and Hudson G 43)

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    Points of Contact- Transformation 5 (Bowness & Lambertini 21(5)) - Victor Pasmore

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