As Art Basel Hong Kong drew to a close on March 30, all eyes turned to the major auction houses, where both Christie’s and Sotheby’s had aligned their spring marquee sales with the fair for the first time.
Both auctions represent significant decreases from previous sales seasons, but strong sell-through rates and increased bidding from mainland China indicate signs of recovery.
By Friday, as art professionals started picking up flights out of Hong Kong, the narrative for this year’s edition of Art Basel Hong Kong, and the surrounding art week, was pretty much set.
As mainland Chinese art buying continues its post-pandemic contraction, Christie’s and Sotheby’s are pivoting from ultra-contemporary Western artists towards tried-and-tested 19th- and 20th-century big hitters.
As Hong Kong gets swept up in anniversary celebrations for the People’s Republic of China, recent museum and gallery programming reveals the battle for the city’s identity.
Untitled (Yellow and Blue) by Mark Rothko has sold at Sotheby’s in Hong Kong for 30% less than previously auctioned amid a slowdown in the art market.
Sotheby’s Hong Kong is gearing up to stage its first modern and contemporary art auctions in its recently opened premises at Landmark Chater on November 11 & 12.