The estate of top collector and casino magnate Elaine Wynn, who died this past April, has made decisions about the future of famed art holdings, with several works heading to auction in November and one heading to a museum next year.
After a renovation by Herzog & de Meuron, the auction house will reopen the Brutalist landmark on November 8 with state-of-the-art galleries and subtle interventions.
What was once a tool reserved for top-tier lots has now become part of the standard, risk-averse machinery of the secondary market, irrevocably changing the atmosphere of the auction room.
A recent Sotheby’s sale of 55 Old Masters works, collected over decades by Jordan and Thomas A. Saunders III, yielded just $64.7 million, far below the initial estimate of $80 million to $120 million.
The spring auction season ended with a miss, as Christie’s, Sotheby’s, and Phillips collectively fell short of even their most modest expectations.
The auction house holds its first dedicated sale of Indigenous Australian art since the passing of Klingender, who was instrumental in developing the market for this category.
Sotheby’s three-part evening sale on Thursday in New York generated a total of $186.1 million on 68 lots, coming towards the high end of its $141 million to $204.9 million estimate.
Works from the collections of Barbara Gladstone and Daniella Luxembourg, record-setters by Fontana and Armitage and a $16.4M Basquiat helped drive strong results for the auction house.