A History of Drawing
Throughout Camberwell’s history, the definition of drawing has expanded; from lines on paper to 3D and digital space. The exhibition is characterised by an outward-looking approach as artists have increasingly explored drawing’s uses in fields beyond that of fine art, incorporating new technologies, politics and science. The works in the show include medical illustration, drawing machines, and moving image works, exploring a wide range of issues pertinent to our globally shared present
The exhibition includes work by historical artists such as Edward Ardizzone, David Hepher and R.B. Kitaj, to recent graduates including Izat Arif, Adam Farah and Jennifer N. R. Smith, and current teaching staff including Miraj Ahmed, Tim Ellis and Janette Parris. The exhibition also features a new large-scale vinyl drawing ‘The Temptation of the Diagram’ by Matthew Ritchie.
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Throughout Camberwell’s history, the definition of drawing has expanded; from lines on paper to 3D and digital space. The exhibition is characterised by an outward-looking approach as artists have increasingly explored drawing’s uses in fields beyond that of fine art, incorporating new technologies, politics and science. The works in the show include medical illustration, drawing machines, and moving image works, exploring a wide range of issues pertinent to our globally shared present
The exhibition includes work by historical artists such as Edward Ardizzone, David Hepher and R.B. Kitaj, to recent graduates including Izat Arif, Adam Farah and Jennifer N. R. Smith, and current teaching staff including Miraj Ahmed, Tim Ellis and Janette Parris. The exhibition also features a new large-scale vinyl drawing ‘The Temptation of the Diagram’ by Matthew Ritchie.
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