A Tale of Today: Materialities
The Driehaus Museum is characterized by a rich history and an impressive wealth of architectural styles. The site of the Museum, the Gilded Age-era Samuel Nickerson Mansion, offers a rare opportunity to map important and often overlooked histories and genealogies. While the unique design and architecture of the Mansion have been documented and studied, A Tale of Today: Materialities proposes to investigate more deeply the materials that comprise the very fabric of the building.
The materialities of objects and architectural features can link past to present histories in original and compelling ways. They connect different cultures and define cultural boundaries. Never inert, materials are inherently political. They are active participants in the ongoing negotiations that build our present and define our futures. There is a new prominence of materiality in art and it is a clear manifestation of our growing awareness that humans no longer are the undisputed centers of everything and that our world is the result of collaborative processes with other living and non-living, human and more-than-human agents.
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The Driehaus Museum is characterized by a rich history and an impressive wealth of architectural styles. The site of the Museum, the Gilded Age-era Samuel Nickerson Mansion, offers a rare opportunity to map important and often overlooked histories and genealogies. While the unique design and architecture of the Mansion have been documented and studied, A Tale of Today: Materialities proposes to investigate more deeply the materials that comprise the very fabric of the building.
The materialities of objects and architectural features can link past to present histories in original and compelling ways. They connect different cultures and define cultural boundaries. Never inert, materials are inherently political. They are active participants in the ongoing negotiations that build our present and define our futures. There is a new prominence of materiality in art and it is a clear manifestation of our growing awareness that humans no longer are the undisputed centers of everything and that our world is the result of collaborative processes with other living and non-living, human and more-than-human agents.
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This winter, the Driehaus Museum presents its most expansive contemporary exhibition to date, A Tale of Today: Materialities, that invites viewers to discover the history and architectural richness of the Museum through the eyes of fourteen artists rooted in the Midwest.
A new exhibit has artists engaging with what is and is not there in the Gilded Age mansion.
The gilded-era Samuel Nickerson Mansion sprawls, in the heart of downtown Chicago, offering set-back Beaux-Arts architectural relief to the towering skyscrapers of reflective glass and stone grays.