黑料不打烊

Bergamin & Gomide and Fortes D鈥橝loia & Gabriel are pleased to present AAA 鈥� Anthology of Art and Architecture. Curated by Sol Camacho 鈥� urbanist, architect, Principal at RADDAR Architecture and Cultural Director of Instituto Bardi / Casa de Vidro 鈥� the show features more than 100 works by Brazilian artists, architects and designers, proposing a reflection on the social function, methods and history of architecture. 

Through a timeless and decategorizing selection, AAA navigates the field of visual arts 鈥� with paintings, sculptures, and videos 鈥� and architecture 鈥� with scale models, pieces of furniture and photographs of buildings. These works feature architecture as a vocabulary: be it in the relation between the construction of spaces and its representation, in the use of civil construction materials, or in the subversion of language itself as a resource for experimenting with scale, composition and geometry. 

Based on those relationships, the curator established architectural elements to define categories for the exhibition, the first of which consists of Blocks, Pillars, Walls and Surfaces, grouping the works that deal with components of the constructed object. Blocks includes works formed by solid and modular units, such as the Estruturas de Caixas de F贸sforo Preto/Branco [Matchbox Structures Black/White] (1964), by Lygia Clark, along with the design for MASP, present in the show by way of a maquette produced by the Instituto Bardi for the exhibition held that marked the building鈥檚 50th anniversary. The PMR Chaise Long (1985) by Paulo Mendes da Rocha and Ponto [Stop] (2015) by Iran do Esp铆rito Santo are part of the Pillars subgroup, exploring elements of suspension and support.  

Walls as incorporated by artists Andr茅 Komatsu and Ivens Machado analyzes the issue of public barriers, which are as essential to architecture as they are controversial within the Brazilian sociopolitical context. The fourth subgroup is Surfaces and is made up of works by Lygia Pape, Athos Bulc茫o, and others, dealing with abstraction, angulations and folds. Subtraction, Transparency and Color form a second category, dealing with the formal operations at stake in certain works that are entirely divorced from the representation of a specific object. Subtraction is considered as the action resulting in the configuration of spaces on the basis of emptiness 鈥� a resource present in the projects of spbr arquitetos, as well as in the series Quadroquadro (2013鈥�2016) by Renata Lucas.  

Works by Mauro Restiffe and Joaquim Tenreiro explore Transparency. Color, on the other hand, is a tool for decoding space created in the tapestries of Burle Marx and in paintings by Marcelo Cipis. In the field of the representation of spatial concepts, works by Valeska Soares, Rivane Neuenschwander and Oscar Niemeyer are part of the Interiors subgroup, dealing with the concept of familiarity. Its counterpoint is the Fa莽ades subgroup, which explores architecture based on its relationship with the urban context, as in Janela [Window] (2018) by Rodrigo Matheus, and in paintings by Volpi and Lorenzato.