An Zongde: Le Temps
Like the 鈥楲e temps鈥 in the titles of his artworks, which means 鈥渢ime鈥 in French, An鈥檚 artistic language is built through the passage of time and the randomness of waiting. To quote his own notes, 鈥淭here is no such thing as a fixed image in the continuity of time, and the audience is only witnessing the accumulation of time over many years as an image of that specific moment.鈥 But far from solely implying nihilism that all beings will disappear, Le temps reveals An鈥檚 approach that there is a harmony and cycle that forms a new relationship within the continuity of time. Revealing the lapse of natural order and time as it is, this exhibition presents the viewer with a poetic and continuous explorations, interpreting ordinary objects in ways that implies there is no 鈥榚ternal鈥 value or form to be obsessed with.
Like the 鈥楲e temps鈥 in the titles of his artworks, which means 鈥渢ime鈥 in French, An鈥檚 artistic language is built through the passage of time and the randomness of waiting. To quote his own notes, 鈥淭here is no such thing as a fixed image in the continuity of time, and the audience is only witnessing the accumulation of time over many years as an image of that specific moment.鈥 But far from solely implying nihilism that all beings will disappear, Le temps reveals An鈥檚 approach that there is a harmony and cycle that forms a new relationship within the continuity of time. Revealing the lapse of natural order and time as it is, this exhibition presents the viewer with a poetic and continuous explorations, interpreting ordinary objects in ways that implies there is no 鈥榚ternal鈥 value or form to be obsessed with.