Baltic Triennial 14: The Endless Frontier
The 14th edition of the Baltic Triennial (BT14) is set with the conviction that in a paradoxical time of fragmented integration, addressing the local is, simultaneously, to question the global. Consequently, and for the first time since it was established in 1979, BT14 focuses on the geopolitical territory of Central and Eastern Europe and includes historical as well as contemporary artistic practices.
The BT14鈥檚 take on the region engages with its composite constitution, highlighting transnational connections. The inclusion of some artists from locations such as the Balkans, the Caucasus or Finland, underlines Central and Eastern Europe鈥檚 porous boundaries as well as its belonging to a global and multilayered network of systems.
Regularly experiencing abrupt shifts, Central and Eastern Europe is a key crossroad for social issues related to ideology, ecology and economy. The region鈥檚 gravitational pull is further highlighted by the introduction or anticipation of numerous tensions, which later also emerged elsewhere such as disinformation, man-made industrial disasters, nativist nationalism, or the oppression of non-normative identities.
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The 14th edition of the Baltic Triennial (BT14) is set with the conviction that in a paradoxical time of fragmented integration, addressing the local is, simultaneously, to question the global. Consequently, and for the first time since it was established in 1979, BT14 focuses on the geopolitical territory of Central and Eastern Europe and includes historical as well as contemporary artistic practices.
The BT14鈥檚 take on the region engages with its composite constitution, highlighting transnational connections. The inclusion of some artists from locations such as the Balkans, the Caucasus or Finland, underlines Central and Eastern Europe鈥檚 porous boundaries as well as its belonging to a global and multilayered network of systems.
Regularly experiencing abrupt shifts, Central and Eastern Europe is a key crossroad for social issues related to ideology, ecology and economy. The region鈥檚 gravitational pull is further highlighted by the introduction or anticipation of numerous tensions, which later also emerged elsewhere such as disinformation, man-made industrial disasters, nativist nationalism, or the oppression of non-normative identities.
Artists on show
- Adam Rzepecki
- Agn臈 Jok拧臈
- Agnieszka Polska
- Aleksandra Domanovi膰
- Alex Baczynski-Jenkins
- Alex Bailey
- Anastasia Sosunova
- Andrei Ujica
- Anja Nowak
- Anna Dau膷íková
- Anni Puolakka
- Antanas Lu膷i奴nas
- Artur Zmijewski
- Aust臈ja Vilkaityt臈
- Danut臈 Kvietkevi膷i奴t臈
- Dominika Trapp
- Dóra Maurer
- Edward Krasinski
- Elena Veleckait臈
- Emilija Skarnulyte
- Evita Vasiljeva
- Flaka Haliti
- Flo Kasearu
- Florin Tudor
- George Maciunas
- Goran Trbuljak
- Harun Farocki
- Henrikas Gulbinas
- Jaakko Pallasvuo
- Janek Simon
- Jiri Kovanda
- Jonas Mekas
- Jonas Zagorskas
- Jura Shust
- Jüri Arrak
- Juta 膶ei膷yt臈
- Karol Radziszewski
- Kirill Savchenkov
- Klára Hosnedlová
- Lukas Strolia
- Marija Teres臈 Ro啪anskait臈
- Markéta Othová
- Martina Smutna
- Milda Janu拧evi膷i奴t臈
- Mi拧a Skalskis
- Mladen Stilinovi膰
- Mona Vatamanu
- Monika Janulevi膷i奴t臈
- Nada Prlja
- Natalia Lach-Lachowicz
- Oleg 艩urajev
- Rachel McIntosh
- Robertas Narkus
- Roman Himey
- Sasha Litvintseva
- Sergey Shabohin
- Stephen Webb
- Tekla Aslanishvili
- Tomasz Kowalski
- Uli Golub
- Viktor Timofeev
- Virgilijus 艩onta
- Vojt臎ch Kova艡ík
- Yarema Malashchuk
- 沤ilvinas Dobilas
- Zsófia Keresztes
- Zuzanna Czebatul
- 沤ygimantas Kudirka
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Through clever exhibition design and a mix of historical and contemporary positions, 鈥楾he Endless Frontier鈥�, offers a telescopic view onto complex issues
Artists: J眉ri Arrak, Tekla Aslanishvili, Alex Baczynski-Jenkins, Zuzanna Czebatul, Juta 膶ei膷yt臈, Anna Dau膷铆kov谩, Aleksandra Domanovi膰, Harun Farocki, Andrei Ujica, Uli Golub, Edvinas Grin, Lubomir Grzelak, Henrikas Gulbinas, Flaka Haliti, Roman Himey-Yarema Malashchuk.
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