Behind the Tide
The group exhibition Behind the Tide sets up a dialogue between selected artworks from the Collections of the Museum of Modern and Contemporary Art and several invited contemporary artists, creating a timeline from the early 20th century to recent artistic productions
By observing the immediate surroundings as a space that entwines historical perspectives, everyday events, landscape, atmospheres, climate, and the imagination of the future, the exhibition Behind the Tide directs attention to the layered contexts that frame the relationship between the sea and the city and point to the complex dynamics of maritime logistics, which, as the foundation of the modern economy, are structured around a series of conditions, positions, and ideas specifically shaped by the sea.鈥
The group exhibition Behind the Tide sets up a dialogue between selected artworks from the Collections of the Museum of Modern and Contemporary Art and several invited contemporary artists, creating a timeline from the early 20th century to recent artistic productions. Addressing issues viewed through the interplay of representation of a place and power relations, or the politics of landscape, the selection spans from idyllic representations of seascapes, themes of labor, and portrayals of life and work by and on the sea as fundamental conditions of existence, through current phenomena including contemporary scenes of migration, ecology, landscapes as sites of exploitation and extraction, to meditative, fantastical reflections on spatial and optical phenomena, the blinding Mediterranean sun, and the emergence of the Black Mediterranean. The exhibition Behind the Tide navigates an imaginary map that perceives the sea and coastal zone as spaces of labor, respite, as well as fears and hopes. It encompasses works created in various media, including photography, video, and painting, forming an interdisciplinary platform that examines pressing global issues. Behind the Tide thus presents a dialogue of artistic positions and interrelations of ideas and images emerging around social, artistic, and economic questions, or concepts such as travel, migration, navigation, shipbuilding, and life on or by the sea. It offers insight into how these themes are reflected in artistic phenomena, particularly through the lens of modernization and the development of technological and artistic expressions framed by the sea. The exhibition unfolds through the interaction of images, their flow, and the overlapping of worlds, juxtaposing images of diverse backgrounds and influences, conditions, and atmospheres. From the dramatic anthological Marina by Menci Cl. Crn膷i膰, Port agent by Sava 艩umanovi膰 and Dockworkers by Sergije Glumac, to the series of photographs titled The Rijeka Port by Mladen Tudor, or short experimental documentary by Petar Trinajsti膰, followed by fantastic imaginary by Cvijeta Job, through new geopolitical routes and constellations in the work by Elena Mazzi and catastrophic scenario brought by Oliver Ressler, or The Sea of People 鈥 Phantom Trades, the expanded painting installation by Tina Gverovi膰 presented as part of the Croatian Pavilion at the 2017 Venice Biennale, post-apocalyptic raft (Land) by Branimir 艩tivi膰 and large scale spatial gestures of Sini拧a Ili膰鈥檚 grand textile work representing the Black Mediterranean from the Low Tide series., the exhibition brings together over twenty artists, highlighting numerous artistic positions across different generations. The dialectic of the tide thus inscribes complexities and contradictions, delineating a space at the intersection of international trade, fishing, daily life, shipbuilding, transportation, and tourism. The identity, vistas, daily life, and economic development of Rijeka, as well as contemporary port cities in Croatia and the Mediterranean, have for decades been defined by the interplay between the city and the sea. By embedding itself in the local context, the exhibition recognizes this relationship and translates it into the realm of universal and global dynamics that evolve around various scenes and situations defining economies, influencing prosperity. 鈥 (Branka Ben膷i膰, from the foreword)
Featured artists: Ante Brkan, Menci Cl. Crn膷i膰, Boris Cvjetanovi膰, Avgust 膶ernigoj, Igor E拧kinja, Leopold Fisher, Sergije Glumac, Tina Gverovi膰, Sini拧a Ili膰, Nina Ivan膷i膰, Cvijeta Job, Elena Mazzi, Damir O膷ko, Oliver Ressler, Zvonimir Pliskovac, Renata Poljak, Miranda Raicich, Sava 艩umanovi膰, Frano 艩imunovi膰, Branimir 艩tivi膰, Petar Trinajsti膰, Mladen Tudor.
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The group exhibition Behind the Tide sets up a dialogue between selected artworks from the Collections of the Museum of Modern and Contemporary Art and several invited contemporary artists, creating a timeline from the early 20th century to recent artistic productions
By observing the immediate surroundings as a space that entwines historical perspectives, everyday events, landscape, atmospheres, climate, and the imagination of the future, the exhibition Behind the Tide directs attention to the layered contexts that frame the relationship between the sea and the city and point to the complex dynamics of maritime logistics, which, as the foundation of the modern economy, are structured around a series of conditions, positions, and ideas specifically shaped by the sea.鈥
The group exhibition Behind the Tide sets up a dialogue between selected artworks from the Collections of the Museum of Modern and Contemporary Art and several invited contemporary artists, creating a timeline from the early 20th century to recent artistic productions. Addressing issues viewed through the interplay of representation of a place and power relations, or the politics of landscape, the selection spans from idyllic representations of seascapes, themes of labor, and portrayals of life and work by and on the sea as fundamental conditions of existence, through current phenomena including contemporary scenes of migration, ecology, landscapes as sites of exploitation and extraction, to meditative, fantastical reflections on spatial and optical phenomena, the blinding Mediterranean sun, and the emergence of the Black Mediterranean. The exhibition Behind the Tide navigates an imaginary map that perceives the sea and coastal zone as spaces of labor, respite, as well as fears and hopes. It encompasses works created in various media, including photography, video, and painting, forming an interdisciplinary platform that examines pressing global issues. Behind the Tide thus presents a dialogue of artistic positions and interrelations of ideas and images emerging around social, artistic, and economic questions, or concepts such as travel, migration, navigation, shipbuilding, and life on or by the sea. It offers insight into how these themes are reflected in artistic phenomena, particularly through the lens of modernization and the development of technological and artistic expressions framed by the sea. The exhibition unfolds through the interaction of images, their flow, and the overlapping of worlds, juxtaposing images of diverse backgrounds and influences, conditions, and atmospheres. From the dramatic anthological Marina by Menci Cl. Crn膷i膰, Port agent by Sava 艩umanovi膰 and Dockworkers by Sergije Glumac, to the series of photographs titled The Rijeka Port by Mladen Tudor, or short experimental documentary by Petar Trinajsti膰, followed by fantastic imaginary by Cvijeta Job, through new geopolitical routes and constellations in the work by Elena Mazzi and catastrophic scenario brought by Oliver Ressler, or The Sea of People 鈥 Phantom Trades, the expanded painting installation by Tina Gverovi膰 presented as part of the Croatian Pavilion at the 2017 Venice Biennale, post-apocalyptic raft (Land) by Branimir 艩tivi膰 and large scale spatial gestures of Sini拧a Ili膰鈥檚 grand textile work representing the Black Mediterranean from the Low Tide series., the exhibition brings together over twenty artists, highlighting numerous artistic positions across different generations. The dialectic of the tide thus inscribes complexities and contradictions, delineating a space at the intersection of international trade, fishing, daily life, shipbuilding, transportation, and tourism. The identity, vistas, daily life, and economic development of Rijeka, as well as contemporary port cities in Croatia and the Mediterranean, have for decades been defined by the interplay between the city and the sea. By embedding itself in the local context, the exhibition recognizes this relationship and translates it into the realm of universal and global dynamics that evolve around various scenes and situations defining economies, influencing prosperity. 鈥 (Branka Ben膷i膰, from the foreword)
Featured artists: Ante Brkan, Menci Cl. Crn膷i膰, Boris Cvjetanovi膰, Avgust 膶ernigoj, Igor E拧kinja, Leopold Fisher, Sergije Glumac, Tina Gverovi膰, Sini拧a Ili膰, Nina Ivan膷i膰, Cvijeta Job, Elena Mazzi, Damir O膷ko, Oliver Ressler, Zvonimir Pliskovac, Renata Poljak, Miranda Raicich, Sava 艩umanovi膰, Frano 艩imunovi膰, Branimir 艩tivi膰, Petar Trinajsti膰, Mladen Tudor.
Artists on show
- Ante Brkan
- Avgust Cernigoj
- Boris Cvjetanovi膰
- Branimir Stivic
- Branimir Stojanovi膰
- Cvijeta Job
- Damir O膷ko
- Elena Mazzi
- Frano 艩imunovi膰
- Igor Eskinja
- Leopold Fischer
- Menci Clement Crncic
- Miranda Raicich
- Mladen Tudor
- Nina Ivanovi膰
- Oliver Ressler
- Petar Trinajsti膰
- Renata Poljak
- Sava 艩umanovi膰
- Sergije Glumac
- Sini拧a Ili膰
- Tina Gverovi膰
- Zvonimir Pliskovac
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