Bird and Blossom
For Bird and Blossom, MMoCA presents a selection of kach艒-e (flower-and-bird pictures) woodblock prints from the Museum鈥檚 permanent collection. This exhibition explores artistic renderings of the natural world through two pivotal Japanese print movements: the Edo and Meiji era ukiyo-e and twentieth-century shin-hanga. In these colorfully rendered works, animal-habitat relationships prompt close examination. Delicate surface details, the result of the multiblock woodblock printing process, convey naturalistic specificity as well as moments of poetic stylization.
The 20 artworks in the exhibition were collected by Madison residents Rudolph and Louise Langer which formed part of the foundational gift to the Museum鈥檚 permanent collection in 1968. This presentation of Langer Bequest prints not only prompts conversations about the history of Japanese printmaking but also is a reminder of MMoCA鈥檚 foundational strength in prints. Reengaging with these prints in a contemporary setting invites the larger discussion of how our relationship with and understanding of the collection shifts over extended periods of time and in new contexts.
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For Bird and Blossom, MMoCA presents a selection of kach艒-e (flower-and-bird pictures) woodblock prints from the Museum鈥檚 permanent collection. This exhibition explores artistic renderings of the natural world through two pivotal Japanese print movements: the Edo and Meiji era ukiyo-e and twentieth-century shin-hanga. In these colorfully rendered works, animal-habitat relationships prompt close examination. Delicate surface details, the result of the multiblock woodblock printing process, convey naturalistic specificity as well as moments of poetic stylization.
The 20 artworks in the exhibition were collected by Madison residents Rudolph and Louise Langer which formed part of the foundational gift to the Museum鈥檚 permanent collection in 1968. This presentation of Langer Bequest prints not only prompts conversations about the history of Japanese printmaking but also is a reminder of MMoCA鈥檚 foundational strength in prints. Reengaging with these prints in a contemporary setting invites the larger discussion of how our relationship with and understanding of the collection shifts over extended periods of time and in new contexts.
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