The installations of the Norwegian artist B酶rre S忙thre take the shape of dreamlike environments, on the borderline between fairy tales and futuristic worlds, calling to mind the atmosphere of a film like 2001: A Space Odyssey by Stanley Kubrick. Like these scenes associating stuffed animals and high-tech environments, playing on the concertina-ing of eclectic worlds, they trigger in viewers an impression of uncanniness: 鈥淔or me, what matters鈥, says the artist, 鈥渋s not a narrative that is to be conveyed, but it is rather much more about creating an uncanny notion within the visitors - who of course are creating their own stories, and those are not my narratives, but their own.鈥