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This exhibition shows the impact of artists from different geographies on the configuration of art in the United Kingdom in the 20th century, bringing together an important group of works of British art from the CAM Collection and the Coleção Berardo.

‘British Art – Convergence’ brings together more than 100 works by 74 artists, principally from two major private Portuguese collections, CAM – Centro de Arte Moderna Gulbenkian and the Berardo Collection. These works are complemented by relevant external loans from Britain and France to further contextualise a narrative foregrounding the significant cross-national transference that distinguished British art practice in this century.

The question of what constitutes British art – past and present – is always in flux. The past two decades have seen a major reassessment and foregrounding of the immigrant and diasporic influence on ‘British’ art as part of a move to decolonise the canon. The exhibition demonstrates Britain’s significant artistic dialogues with France, America and Portugal, via both well and lesser-known artists, connected not only by artistic movements and practices, art school training and exhibition platforms, but also through shared personal histories including national and ethnic identities, émigré trajectories and experiences.

Following a thematic rather than a strictly chronological approach, the exhibition highlights major themes including the dominance, lapse and then resurgence of figuration and the many strands of realism in late nineteenth and twentieth-century British visual culture.

Of equal importance, is the rise of abstraction and its many variants, with a strong emphasis on constructivism. The great English tradition of landscape – though not a dominant theme – is signalled by the presence of J. M. W. Turner, whose long legacy is represented by a seascape.

Postwar migrations from countries with repressive regimes, including South Africa and Portugal, established new ‘pontos de fuga’ – lines of convergence, which can also be divergent – that continue to this day.

Émigré or temporarily displaced artists, have been central to all of these movements and have played a vital role in forming and stimulating dialogue, drawing on their own experiences and backgrounds to contribute to a revitalized and, ultimately, more inclusive British art scene.