黑料不打烊

Brown Pots explores the evolving story of Australian studio pottery from the 1950s to today. Through the work of over 60 artists from the SAM ceramics collection, this first of three exhibitions reveals the influences, experimentation and the community mindset shared by Australian studio potters. 

Bernard Leach was the grandfather of British studio pottery. His teaching, writing and philosophy was a major influence on the development of the Australian studio pottery tradition. Japanese potter, Shoji Hamada, a Master Potter and 鈥楲iving National Treasure鈥�, was as significant an influence. Western audiences have often seen his ceramics through his exchanges with Leach and Leach鈥檚 own work.

Leach and Hamada鈥檚 ideas and art were taken up by a generation of potters in Australia after World War II. Community pottery classes inspired collective creativity and stimulated the development of Australian clays, kilns, firing techniques and glazes. Many of the potters in Brown Pots travelled to Europe and East Asia to engage with, and sometimes to subvert, our understanding of the Leach and Hamada studio pottery legacy. As with many 20th century arts and craft movements, the exchange of鈥痯ottery鈥痠deas鈥痟as鈥痜lowed鈥痠n both directions.鈥� 

Brown Pots鈥痯ays homage to SAM鈥檚 exhibition history and the way that ceramics are central to our story. The exhibition reviews the important role that women have played in the ceramics landscape over this period. It also recognises the role and significance of many of Australia鈥檚 leading Aboriginal artists working in ceramics. In 1991, Shepparton Art Gallery presented an exhibition of 1970s Australian ceramics, titled BROWN. Many of the artists featured in this first brown pots show are in one of our three exhibitions, Brown Pots, Karavan and Studio Funk that SAM will present over 18 months.