Carrie Moyer: Pagan's Rapture
DC Moore Gallery is pleased to announce Carrie Moyer: Pagan鈥檚 Rapture, the artist鈥檚 second solo exhibition with the gallery. Pagan鈥檚 Rapture is a reaffirmation of Moyer鈥檚 Pleasure Principle, providing joyful sustenance and declaring that the End Times are not near. Overflowing with the seductions and materiality of color and paint, Moyer鈥檚 latest work rejects the relentlessly dour focus of the zeitgeist, proposing instead a kaleidoscopic worldview that embraces the sensual as much the rational. Playful, logo-like silhouettes of flora, fauna, body-parts, vessels, and planets utilize a collapsed history of signs. These flattened archetypes and cheeky references often perform as compositional rigging around which cascades of paint, glitter and light flow. A catalogue with an essay by Mia Locks will accompany the exhibition.
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DC Moore Gallery is pleased to announce Carrie Moyer: Pagan鈥檚 Rapture, the artist鈥檚 second solo exhibition with the gallery. Pagan鈥檚 Rapture is a reaffirmation of Moyer鈥檚 Pleasure Principle, providing joyful sustenance and declaring that the End Times are not near. Overflowing with the seductions and materiality of color and paint, Moyer鈥檚 latest work rejects the relentlessly dour focus of the zeitgeist, proposing instead a kaleidoscopic worldview that embraces the sensual as much the rational. Playful, logo-like silhouettes of flora, fauna, body-parts, vessels, and planets utilize a collapsed history of signs. These flattened archetypes and cheeky references often perform as compositional rigging around which cascades of paint, glitter and light flow. A catalogue with an essay by Mia Locks will accompany the exhibition.
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