黑料不打烊

Imagine a drop of water flowing toward the valleys and the sea, drop by drop, a thousand years have passed. Where will it go? When will it converge? Into which estuary will it flow, forming which ocean current? If every memory of the sea belongs to a collective memory 鈥� can we say that between the sinking of past memories and the rising of today鈥檚 waters, the reflective gaze mirrors history, the tides of the past ebbing along a blurred, illusory coastline. A similar feeling could be evoked as the viewer steps into Between Submergence, the solo exhibition of Chihchung Chang at TKG+ Projects, comprising sculptures, archives, and an immersive video installation. He imagines a dilapidated shipwreck as a metaphor for historical triggers, and our bodies as chapters of world history. Starting from an island in the Pacific Ocean, tracing the west to the east, and the south to the north, the ship morphs into a wanderer through time.