Chris Levine: The Geometry of Truth
The Fine Art Society is delighted to present The Geometry of Truth, a new solo exhibition by Chris Levine.
‘The Geometry of Truth’ represents the latest chapter in Levine’s exploration into the nature of light and perception; using technology and light to communicate natural geometries and draw people towards stillness.
The synchronicity of the universe is determined by certain mathematical constants which express themselves in the form of 'patterns' and 'cycles' in nature. Pure geometry transcends everything; impulses and patterns found in nature and the brain also exist in the technology we have created, and Levine’s work asks some fundamental questions about how we view art and examine life.
Levine’s work has long been an investigation into the ways in which we accept and perceive light, and the effect it has on our sense of being. Levine is interested in light as a principal natural characteristic, through which it is possible to experience fundamental truths in nature. He has worked extensively with laser light, exploring its capacity to produce both illusions and elicit a subliminal response in the viewer. He has pioneered new mediums such as holograms, light boxes and lenticular lenses and has created and coined the name for new mechanisms such as laser pods and blipverts (peripheral vision light pieces). Levine’s innovative use of these technologies has brought to this field a fresh sensibility, making him a leading player in the field of light art.
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The Fine Art Society is delighted to present The Geometry of Truth, a new solo exhibition by Chris Levine.
‘The Geometry of Truth’ represents the latest chapter in Levine’s exploration into the nature of light and perception; using technology and light to communicate natural geometries and draw people towards stillness.
The synchronicity of the universe is determined by certain mathematical constants which express themselves in the form of 'patterns' and 'cycles' in nature. Pure geometry transcends everything; impulses and patterns found in nature and the brain also exist in the technology we have created, and Levine’s work asks some fundamental questions about how we view art and examine life.
Levine’s work has long been an investigation into the ways in which we accept and perceive light, and the effect it has on our sense of being. Levine is interested in light as a principal natural characteristic, through which it is possible to experience fundamental truths in nature. He has worked extensively with laser light, exploring its capacity to produce both illusions and elicit a subliminal response in the viewer. He has pioneered new mediums such as holograms, light boxes and lenticular lenses and has created and coined the name for new mechanisms such as laser pods and blipverts (peripheral vision light pieces). Levine’s innovative use of these technologies has brought to this field a fresh sensibility, making him a leading player in the field of light art.