There is no outside to catastrophe, no singular moment in which collapse begins; it has always been there, folded into the gestures of preservation, the structures meant to protect but which, upon closer look, do not so much shelter as they enclose.
Nona Inescu and
Hannah Sophie Dunkelberg鈥檚 works move through the contradictions of environmental collapse and domesticity, where the destructive and the intimate are bound together in sculptural forms.