Craig Walsh: Embedded
Embedded developed out of a commission from Rio Tinto, which enabled Walsh to spend time in the Pilbara, where iron ore is mined. He worked with Murujuga Aboriginal Corporation (the traditional custodians of the Pilbara’s Burrup Peninsula), Murujuga National Park rangers, and Rio Tinto staff, developing two spectacular moving-image works and a series of photographic portraits. The works reflect on the connection the local Aboriginal people have to their country, particularly its extraordinary historic rock art.
While everyone in Australia is touched by mining, few know what iron ore looks like. So, into his show, Walsh adds twenty-one industrial bins, brimming with it. Bringing the landscape inside, he turns the gallery into an obstacle course, a labyrinth. Visitors, themselves, will feel embedded.
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Embedded developed out of a commission from Rio Tinto, which enabled Walsh to spend time in the Pilbara, where iron ore is mined. He worked with Murujuga Aboriginal Corporation (the traditional custodians of the Pilbara’s Burrup Peninsula), Murujuga National Park rangers, and Rio Tinto staff, developing two spectacular moving-image works and a series of photographic portraits. The works reflect on the connection the local Aboriginal people have to their country, particularly its extraordinary historic rock art.
While everyone in Australia is touched by mining, few know what iron ore looks like. So, into his show, Walsh adds twenty-one industrial bins, brimming with it. Bringing the landscape inside, he turns the gallery into an obstacle course, a labyrinth. Visitors, themselves, will feel embedded.
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