DXP2 (Digital Transformation Planet2)
鈥淒XP (Digital Transformation Planet): Towards the Next Interface,鈥� which was on display since October 2023, was scheduled to run through March 2024, but the Noto Peninsula earthquake that occurred on January 1 caused some damage to the exhibition galleries, with some glass panels falling from the ceiling. As a result, the exhibition had to be canceled.
In response to this situation, we are developing 鈥淒XP2鈥� by taking advantage of digital technology, mainly in the Public Zone. This is one of our proposals for curatorial resilience 鈥� that is, the capacity for overcoming this difficult situation 鈥� in museums.
With developments and changes in technology that are updated daily, the relationships between technology and our bodies, our daily lives, and our environment, including all living things, are also being generated anew. In this world, the digital is no longer an extrinsic tool, but our neighbor, partner, and part of our bodies. DXP鈥檚 messages come from a variety of perspectives, not only from artists, but also architects, designers, scientists, and programmers, spanning food, clothing, and shelter. Several artists will exhibit new versions of their work in response to DXP2.
Together with the exhibition鈥檚 companion publication, 鈥淒igital Bites: How to Ingest Art & Technology鈥� (BNN, Inc, 2024), we hope that visitors to the exhibition will find a tasty dose of digital to feed their new ideas and activities.
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鈥淒XP (Digital Transformation Planet): Towards the Next Interface,鈥� which was on display since October 2023, was scheduled to run through March 2024, but the Noto Peninsula earthquake that occurred on January 1 caused some damage to the exhibition galleries, with some glass panels falling from the ceiling. As a result, the exhibition had to be canceled.
In response to this situation, we are developing 鈥淒XP2鈥� by taking advantage of digital technology, mainly in the Public Zone. This is one of our proposals for curatorial resilience 鈥� that is, the capacity for overcoming this difficult situation 鈥� in museums.
With developments and changes in technology that are updated daily, the relationships between technology and our bodies, our daily lives, and our environment, including all living things, are also being generated anew. In this world, the digital is no longer an extrinsic tool, but our neighbor, partner, and part of our bodies. DXP鈥檚 messages come from a variety of perspectives, not only from artists, but also architects, designers, scientists, and programmers, spanning food, clothing, and shelter. Several artists will exhibit new versions of their work in response to DXP2.
Together with the exhibition鈥檚 companion publication, 鈥淒igital Bites: How to Ingest Art & Technology鈥� (BNN, Inc, 2024), we hope that visitors to the exhibition will find a tasty dose of digital to feed their new ideas and activities.
