黑料不打烊


Davide Mineo: Masse non nulle

Sep 09, 2024 - Oct 19, 2024

Quartz Studio is pleased to present Masse non nulle, the first solo show in Turin by Davide Mineo (Palermo, 1992), curated by Carlo Corona.

The site-specific installation Masse non nulle, which Davide Mineo conceived for Quartz Studio, visually presents itself as a sculptural-painting mechanism that occupies the exhibition space and alters its perception and thereby conditions the experience of it. The physical and optical substance of the room-sized brass form is capable of attracting and repelling the viewer with the open intention of creating a sense of alienation. In terms of color, the metal鈥檚 luminosity creates a powerful contrast with the acrylic painting on the surface within fields of irregular geometric shapes (reminiscent of certain 1950s geometric abstractions). In spatial terms, the room-sized sculptural structure, precariously leaning against the walls and seeming suspended over the hexagonal cement floor pattern, simultaneously orients and disorients those entering the space, transforming Quartz into a new environmental space.

The artist says, 鈥淢asse non nulle is a converter of intentions, a union of tangible values, gestures, images, and forms. Its mechanical presence becomes the sequential analysis of an essence, a breaking down of a whole into the parts that make it up, reducing a system to its elements. This is a simplicity that is resolved complexity. Mechanisms scan impressions, thoughts, and instincts that become observable and open to contemplation beyond the possibility of grasping or understanding their meaning.



Quartz Studio is pleased to present Masse non nulle, the first solo show in Turin by Davide Mineo (Palermo, 1992), curated by Carlo Corona.

The site-specific installation Masse non nulle, which Davide Mineo conceived for Quartz Studio, visually presents itself as a sculptural-painting mechanism that occupies the exhibition space and alters its perception and thereby conditions the experience of it. The physical and optical substance of the room-sized brass form is capable of attracting and repelling the viewer with the open intention of creating a sense of alienation. In terms of color, the metal鈥檚 luminosity creates a powerful contrast with the acrylic painting on the surface within fields of irregular geometric shapes (reminiscent of certain 1950s geometric abstractions). In spatial terms, the room-sized sculptural structure, precariously leaning against the walls and seeming suspended over the hexagonal cement floor pattern, simultaneously orients and disorients those entering the space, transforming Quartz into a new environmental space.

The artist says, 鈥淢asse non nulle is a converter of intentions, a union of tangible values, gestures, images, and forms. Its mechanical presence becomes the sequential analysis of an essence, a breaking down of a whole into the parts that make it up, reducing a system to its elements. This is a simplicity that is resolved complexity. Mechanisms scan impressions, thoughts, and instincts that become observable and open to contemplation beyond the possibility of grasping or understanding their meaning.



Artists on show

Contact details

Via Giulia di Barolo 18/D Torino, Italy 10124

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