黑料不打烊

When we say "My battery's dead," "I can't get a signal," or "I'm on silent," we are not talking about our physical bodies being drained, disconnected from the world or out of range, or that we cannot activate our vocal cords. In colloquial language, the speaker is assimilated into technology, reflecting one of the defining features of the 21st century: the disappearing boundaries between the physical and digital realms.

The 33 artists participating in the exhibition "Desktop" come from a wide range of fields, including visual art, photography, design, fashion, animation, illustration, and architecture. Most are in their 30s, and grew up in the digital era. As far as they are concerned, desktop is not a physical surface but a virtual workspace鈥攁 concept born some 50 years ago as a ubiquitous term for the digital work environment.

Meanwhile, other once-physical objects, such as a manila folder, a telephone receiver, or a stamp and envelope, began to symbolize digital actions鈥攍ike making a phone call or sending an email鈥攄etaching themselves from their original, tangible context. Over time, the digital age cultivated its own distinct lingo and aesthetics, which gradually seeped back into the physical world, shaping the way we experience it.

For the exhibition, the Museum invited artists to create new works, exploring how digital thinking, concepts, and tools take on substance in the physical world, shaping artistic practice and material expression. Their works delve into what happens when digital aesthetics encounter physical limitations鈥攑eople, matter, and unpredictability鈥攁nd what it means when technology becomes an integral part of our bodies and identities.