黑料不打烊

This exhibition looks at the work of foreign artists who visited India between the Uprising (1857) and Independence (1947) as examples of a late phase of Orientalist art. The famous landscape painters of a much earlier era, such as William Hodges and Thomas and William Daniell, had clearly defined goals: they came in search of picturesque views of architecture and landscape. The artists who came later, in the late nineteenth and early twentieth centuries, were more diverse in every way. They were more interested in people and society, and scenes of everyday life, than in monuments. They were stylistically varied; and they came from many countries including Germany, Holland, Denmark, France and even Japan, besides Britain.

They brought to India a fresh aesthetic sensibility. Earlier artists had come with the purpose of opening Europe鈥檚 eyes to India鈥檚 historic cultures. For Hodges and the Daniells even the Taj Mahal was relatively unknown, as no one had previously depicted it. By the late nineteenth century, travel and tourism had made it a clich茅, and new ways of depicting it had to be found. The same goes for the ghats at Benares, and every other well-known site. To these were added new destinations, like the temples and forts of Rajasthan, and the gardens of Kashmir. In this selection of works, we encounter a host of people and places of India, as seen through the eyes of artists who were foreigners, but who were intent on a more personal and intimate engagement.