At the dawn of the 20th century, the Italian poet Filippo Marinetti led Futurism, an avant- garde artistic movement that originated in Italy and was introduced to the world through a manifesto published in the Le Figaro newspaper. Among its dogmatic premises, he included a motto whose subject, the passage of time, would serve to strengthen it. 鈥淲e affirm that the splendor of the world has been enriched with a new beauty: the beauty of speed,鈥 wrote Marinetti. A century later, at the World Government Summit in 2014, the executive chairman of the World Economic Forum stated, 鈥淚n the new world, it is not the big fish eating the small fish; it is the fast fish eating the slow fish.鈥 This statement would mark a direct and stark evaluation of the implications associated with the so-called Fourth Industrial Revolution or technological revolution.