Dont麓t Touch!
The exhibition D O N ' T T O U C H ! stages this shift in aesthetic perception in the spatial environment as a down to the ground site and in this (perspectival) way also speculates on the various levels of the context, even beyond the art space and at the same time on the 鈥渋nvisible鈥� artwork as an experience in non-artistic places: the information is rearranged as well as the contexts of meaning, which thus repeatedly emerge in a new form. Does this also mean a de-aestheticization of artistic forms? And does it answer the question of whether this is art here or elsewhere? At the same time, the exhibition speculates with 鈥淟eerstellen (interpretational gaps)鈥� about the reception-aesthetics and the role of the viewer, not only in the context of space, but also of absence.
DO NOT TOUCH! Nevertheless, the general museum ban also applies to this exhibition. But the diversity of the works on display can illustrate the spiritual experience and how much art touches us without us touching it ...
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The exhibition D O N ' T T O U C H ! stages this shift in aesthetic perception in the spatial environment as a down to the ground site and in this (perspectival) way also speculates on the various levels of the context, even beyond the art space and at the same time on the 鈥渋nvisible鈥� artwork as an experience in non-artistic places: the information is rearranged as well as the contexts of meaning, which thus repeatedly emerge in a new form. Does this also mean a de-aestheticization of artistic forms? And does it answer the question of whether this is art here or elsewhere? At the same time, the exhibition speculates with 鈥淟eerstellen (interpretational gaps)鈥� about the reception-aesthetics and the role of the viewer, not only in the context of space, but also of absence.
DO NOT TOUCH! Nevertheless, the general museum ban also applies to this exhibition. But the diversity of the works on display can illustrate the spiritual experience and how much art touches us without us touching it ...
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