Eating Vegan Sandwiches in the Train While Listening Country Music
This title suffers from an acute case of infodumping. It is a clear example of information overload. Too many details that leave little room for the readers and prevent them from staging, in their own way, what awaits them next. Although, undoubtedly, the combination of the sandwich with country music and the train conveys a wholesome, even pleasant dimension, it would have been perhaps the same thing to title this project: Eating a doner kebab on the subway while listening to classical music or even, Eating a smoked salmon bagel on the airplane while listening to punk music. It is not so much a matter of accumulating details, but of articulating proposals: relevant and meaningful variations to move forward.
In our continuous displacement and interrogation of the works of the 20 artists in the exhibition Eating a vegan sandwich on the train while listening to country music, we have moved on as if we were a knee because we want to take decisions like a knee. Thinking through continuous movement, like an articulation that allows us to bend, stretch, rotate, and pivot. The exhibition that now occupies the space of L21 LAB is just one among countless possibilities of routes, installations, distances, heights, texts and conversations. A deep and pleasant breath that artists give us because, despite everything, we are still on the road.
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This title suffers from an acute case of infodumping. It is a clear example of information overload. Too many details that leave little room for the readers and prevent them from staging, in their own way, what awaits them next. Although, undoubtedly, the combination of the sandwich with country music and the train conveys a wholesome, even pleasant dimension, it would have been perhaps the same thing to title this project: Eating a doner kebab on the subway while listening to classical music or even, Eating a smoked salmon bagel on the airplane while listening to punk music. It is not so much a matter of accumulating details, but of articulating proposals: relevant and meaningful variations to move forward.
In our continuous displacement and interrogation of the works of the 20 artists in the exhibition Eating a vegan sandwich on the train while listening to country music, we have moved on as if we were a knee because we want to take decisions like a knee. Thinking through continuous movement, like an articulation that allows us to bend, stretch, rotate, and pivot. The exhibition that now occupies the space of L21 LAB is just one among countless possibilities of routes, installations, distances, heights, texts and conversations. A deep and pleasant breath that artists give us because, despite everything, we are still on the road.
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This title suffers from an acute case of infodumping. It is a clear example of information overload.