Erik A. Frandsen: Flat Hierarchies
It is with great pleasure that we present Erik A. Frandsen鈥檚 new exhibition 鈥淔lat Hierarchies鈥 at Charlotte Fogh Gallery. The exhibition presents a number of new paintings and is Erik A. Frandsen鈥檚 first solo exhibition in the gallery.
In 鈥淔lat Hierarchies鈥 Frandsen continues his ongoing exploration of surfaces, lines and perspective, which are central to his artistic expression. A constant investigation of the painting鈥檚 space and motif world; what do objects and symbols represent and what values 鈥嬧媎o we attach to them?
A characteristic of Frandsen鈥檚 artistic practice is his reuse of motifs and the use of these in various media. In various series of works, Erik A. Frandsen has repeated specific motifs such as still life, interiors, family scenes of intimate, everyday situations and flower arrangements, which are painted in acrylic on aluminum, in Venetian mosaics or drilled into steel plates, which are then reused in the paintings. The motifs thus draw references back in time and to Frandsen鈥檚 own work, but at the same time a new trace emerges that reaches into the present.
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It is with great pleasure that we present Erik A. Frandsen鈥檚 new exhibition 鈥淔lat Hierarchies鈥 at Charlotte Fogh Gallery. The exhibition presents a number of new paintings and is Erik A. Frandsen鈥檚 first solo exhibition in the gallery.
In 鈥淔lat Hierarchies鈥 Frandsen continues his ongoing exploration of surfaces, lines and perspective, which are central to his artistic expression. A constant investigation of the painting鈥檚 space and motif world; what do objects and symbols represent and what values 鈥嬧媎o we attach to them?
A characteristic of Frandsen鈥檚 artistic practice is his reuse of motifs and the use of these in various media. In various series of works, Erik A. Frandsen has repeated specific motifs such as still life, interiors, family scenes of intimate, everyday situations and flower arrangements, which are painted in acrylic on aluminum, in Venetian mosaics or drilled into steel plates, which are then reused in the paintings. The motifs thus draw references back in time and to Frandsen鈥檚 own work, but at the same time a new trace emerges that reaches into the present.
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