Exploring Egypt: 19th Century Expeditionary Photography
In the 1840s and 1850s, a few decades after photography鈥檚 invention, a handful of daring Europeans and Americans, many with guidebooks in hand, set out to photograph Egypt. Their ambitions ranged from updating written accounts, to documenting sites and structures. These artist-adventurers braved heat stroke, mosquitoes and inhospitable natives to photograph the ruins of Egypt before waves of later visitors poured into the region, plundering artifacts and carving graffiti into the ruins.
The photographs produced by these expeditionary pioneers inevitably reflected each artist鈥檚 viewpoint. We now view photographs by Teynard, Greene, and De Clercq as imbued with Romanticism, reflecting their own personal experiences. Others, like Du Camp and Hammerschmidt focused more factually on the people and architecture of the region. Others, including Frith and Bonfils, catered to the demand by Western audiences for tourist images, often combining images with entertaining texts, fulfilling the vicarious desires of the armchair traveler back home.
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In the 1840s and 1850s, a few decades after photography鈥檚 invention, a handful of daring Europeans and Americans, many with guidebooks in hand, set out to photograph Egypt. Their ambitions ranged from updating written accounts, to documenting sites and structures. These artist-adventurers braved heat stroke, mosquitoes and inhospitable natives to photograph the ruins of Egypt before waves of later visitors poured into the region, plundering artifacts and carving graffiti into the ruins.
The photographs produced by these expeditionary pioneers inevitably reflected each artist鈥檚 viewpoint. We now view photographs by Teynard, Greene, and De Clercq as imbued with Romanticism, reflecting their own personal experiences. Others, like Du Camp and Hammerschmidt focused more factually on the people and architecture of the region. Others, including Frith and Bonfils, catered to the demand by Western audiences for tourist images, often combining images with entertaining texts, fulfilling the vicarious desires of the armchair traveler back home.
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