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Francesco Clemente: Tents

Sep 21, 2013 - Nov 09, 2013
The directors of Blain|Southern are delighted to present Francesco Clemente鈥檚 first solo show in Berlin in six years. The exhibition comprises three large-scale canvas tents, with every aspect of the exteriors, interiors, walls and roofs painted in intricate detail. 
First used as dwellings over 3000 years ago, tent-like structures present an environment of shelter that can be traced back to antiquity. Clemente鈥檚 tents engage with this long history but are characterised by a discontinuity or fragmentation of context, bringing together myriad cultural and art historical references. Each of the structures immerses the viewer in a rich, colour-infused environment that melds Eastern and Western traditions of art, philosophy and religion, reflecting the artist鈥檚 nomadic desire not to belong.
Produced in India, Clemente describes these tents as his 鈥榗ave paintings鈥 which can be sheltered and slept under, or daydreamed and prayed within; these are movable chapels for contemplation of the sacred in a modern age defined by digital speed. Expanding the traditional relationship between art object and viewer, these paintings function by enveloping and surrounding the viewer to evoke an experience of painting that is both seen and physically felt.

The directors of Blain|Southern are delighted to present Francesco Clemente鈥檚 first solo show in Berlin in six years. The exhibition comprises three large-scale canvas tents, with every aspect of the exteriors, interiors, walls and roofs painted in intricate detail. 
First used as dwellings over 3000 years ago, tent-like structures present an environment of shelter that can be traced back to antiquity. Clemente鈥檚 tents engage with this long history but are characterised by a discontinuity or fragmentation of context, bringing together myriad cultural and art historical references. Each of the structures immerses the viewer in a rich, colour-infused environment that melds Eastern and Western traditions of art, philosophy and religion, reflecting the artist鈥檚 nomadic desire not to belong.
Produced in India, Clemente describes these tents as his 鈥榗ave paintings鈥 which can be sheltered and slept under, or daydreamed and prayed within; these are movable chapels for contemplation of the sacred in a modern age defined by digital speed. Expanding the traditional relationship between art object and viewer, these paintings function by enveloping and surrounding the viewer to evoke an experience of painting that is both seen and physically felt.

Artists on show

Contact details

Potsdamer Strasse 77鈥87 Kreuzberg - Berlin, Germany 10785

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