Franziska Reinbothe and David Berweger: L'Invention du Quotidien
In Volume 1 of "L'Invention du quotidien, Arts de faire" ("The Practice of Everyday Life: The Art of Doing,") Michel de Certeau examines a multitude of daily activities鈥攕uch as walking in the city, reading, speaking, and even cooking鈥攔evealing how these practices can serve as forms of resistance and invention within everyday life.
Through the development of micro-gestures that disrupt daily routines, individuals, while adhering to the codes of a hyper-regulated society, manage to subvert them, thereby affirming their autonomy and individuality rather than remaining mere consumers of the everyday.
During their residency at the CCA in October, Franziska Reinbothe and David Berweger created a framework within their daily practice, centered on the repetition of gestures and the familiar, which became integral to their creative process. Like a pianist practicing scales, they progressively transformed this framework into a trigger for reinventing the act of creation and the creation of art
itself.
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In Volume 1 of "L'Invention du quotidien, Arts de faire" ("The Practice of Everyday Life: The Art of Doing,") Michel de Certeau examines a multitude of daily activities鈥攕uch as walking in the city, reading, speaking, and even cooking鈥攔evealing how these practices can serve as forms of resistance and invention within everyday life.
Through the development of micro-gestures that disrupt daily routines, individuals, while adhering to the codes of a hyper-regulated society, manage to subvert them, thereby affirming their autonomy and individuality rather than remaining mere consumers of the everyday.
During their residency at the CCA in October, Franziska Reinbothe and David Berweger created a framework within their daily practice, centered on the repetition of gestures and the familiar, which became integral to their creative process. Like a pianist practicing scales, they progressively transformed this framework into a trigger for reinventing the act of creation and the creation of art
itself.
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