Gathering Voices at RAM: 20 Years of Building America鈥檚 Largest Contemporary Craft Collection
Midway through RAM鈥檚 first 20 years, the museum鈥檚 contemporary craft collection was identified as the largest in North America鈥攁 designation that remains true today. Add in the considerable number of works on paper also on hand and it means that RAM represents a variety of voices鈥攂e that in terms of personal backgrounds and heritage or artistic range of expression as regards media, process, and subject matter.
A collection is a layering of choices. Who decides what one looks like? RAM staff and board consider many logistical and philosophical factors beyond the artwork itself. Who benefits from an acquisition? Does a gift further a museum or community goal? Are diverse perspectives truly being represented? Can the museum reasonably care for and maintain the artwork in perpetuity?
In addition to developing historical collection strengths such as establishing multi-piece archives that reflect an artist鈥檚 career, RAM continues to expand initiatives to champion historically underrepresented voices like those of women and artists of color. Notably, one recent step towards an even more robust and equitable landscape is the creation of a fund dedicated specifically to acquiring work by artists of color.
An anniversary allows looking back while also considering the future. On the surface, Gathering Voices is a cursory, media-specific look at 20 years of building RAM鈥檚 collection. With an emphasis on works acquired in the last five to seven years, it also highlights critical and more expansive directions to be taken.
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Midway through RAM鈥檚 first 20 years, the museum鈥檚 contemporary craft collection was identified as the largest in North America鈥攁 designation that remains true today. Add in the considerable number of works on paper also on hand and it means that RAM represents a variety of voices鈥攂e that in terms of personal backgrounds and heritage or artistic range of expression as regards media, process, and subject matter.
A collection is a layering of choices. Who decides what one looks like? RAM staff and board consider many logistical and philosophical factors beyond the artwork itself. Who benefits from an acquisition? Does a gift further a museum or community goal? Are diverse perspectives truly being represented? Can the museum reasonably care for and maintain the artwork in perpetuity?
In addition to developing historical collection strengths such as establishing multi-piece archives that reflect an artist鈥檚 career, RAM continues to expand initiatives to champion historically underrepresented voices like those of women and artists of color. Notably, one recent step towards an even more robust and equitable landscape is the creation of a fund dedicated specifically to acquiring work by artists of color.
An anniversary allows looking back while also considering the future. On the surface, Gathering Voices is a cursory, media-specific look at 20 years of building RAM鈥檚 collection. With an emphasis on works acquired in the last five to seven years, it also highlights critical and more expansive directions to be taken.
Artists on show
- Adrian Saxe
- Akio Takamori
- Alvin Adkins
- Anna Skibska
- Arline Fisch
- Biba Schutz
- Bonnie Seeman
- Boris Bally
- Carlos Estévez
- Christine Nofchissey McHorse鈥
- Chunghi Choo
- Cristina Cordova
- Cynthia Toops
- Dale Chihuly
- David Forlano
- Donald Friedlich
- Elissa Farrow-Savos
- Fujita Kyohei
- Gustavo Pérez
- Jamie Bennett
- Janet Neuwalder
- Jaydan Moore
- Jeffrey Clancy
- Joan Takayama-Ogawa
- Joe Reyes Apodaca
- John Littleton
- Karen LaMonte
- Kate Vogel
- Katherine Gray
- Keisuke Mizuno
- Keith Lo Bue
- Kevin Snipes
- Kreg Kallenberger
- Kyoko Kumai
- Lydia Gerbi-Fast
- Marion Sak
- Marvin Blackmore
- Meghan Patrice Riley
- Michael Jerry
- Michael Sherrill
- Pat Flynn
- Patrick Crabb
- Pier Voulkos
- Rachelle Thiewes
- Ralph Bacerra
- Ramona Solberg
- Ross Richmond
- Steven Ford
- Steven Young Lee
- Tom Joyce
- Tom Joyce
- Wayne Ngan
- Yoko Shimizu
- Zachery Lechtenberg
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