Gods Moving in Places. The Day Reader
鈥淭raveling in the past with the ruins of the future.鈥� 鈥� Wilson Harris, Jonestown
The Day Reader is the second part of the exhibition cycle Gods Moving in Places which started with a group show by Minia Biabiany, Karl Joseph, Mirtho Linguet, Beatriz Santiago Mu帽oz, Marcel Pinas, Pamela Colman-Smith und Apichatpong Weerasethakul.
Mathieu Kleyebe Abonnenc鈥檚 work intertwines his own personal history with the collective history of the Guianas, which is deeply rooted in the forests of the Amazon Basin. He reads this landscape like an archive, one marked by exploration, exploitation, rupture and loss. For many years, Abonnenc鈥檚 research has focused on the literature of the Guyanese author Wilson Harris (1921鈥�2018), whose ecological and decolonial vision provides the lens through which the works in the exhibition are expanded and reconfigured. In his writings, Wilson Harris establishes a connection between the psyche and the landscape, drawing from an Amerindian cosmology founded on the interconnectedness of all beings, places and times. Seen from this perspective, the rainforest becomes a realm of infinite possibilities for reshaping a postcolonial condition.
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鈥淭raveling in the past with the ruins of the future.鈥� 鈥� Wilson Harris, Jonestown
The Day Reader is the second part of the exhibition cycle Gods Moving in Places which started with a group show by Minia Biabiany, Karl Joseph, Mirtho Linguet, Beatriz Santiago Mu帽oz, Marcel Pinas, Pamela Colman-Smith und Apichatpong Weerasethakul.
Mathieu Kleyebe Abonnenc鈥檚 work intertwines his own personal history with the collective history of the Guianas, which is deeply rooted in the forests of the Amazon Basin. He reads this landscape like an archive, one marked by exploration, exploitation, rupture and loss. For many years, Abonnenc鈥檚 research has focused on the literature of the Guyanese author Wilson Harris (1921鈥�2018), whose ecological and decolonial vision provides the lens through which the works in the exhibition are expanded and reconfigured. In his writings, Wilson Harris establishes a connection between the psyche and the landscape, drawing from an Amerindian cosmology founded on the interconnectedness of all beings, places and times. Seen from this perspective, the rainforest becomes a realm of infinite possibilities for reshaping a postcolonial condition.
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