I hear it everywhere I go
Franklin Street Works opened the group show 鈥淚 hear it everywhere I go鈥� on the occasion of our annual fundraiser party, Sept 16h. In keeping with our receptions being free and open to the public we are having a public reception and tour mid-way through the show鈥檚 run on November 11 from 5:00 鈥� 8:00 pm. The event will include a casual artist walkthrough at 6pm with curator Terri C Smith and exhibiting artists, including Jen DeNike and Michael Blake.
鈥淚 hear it everywhere I go鈥� is a group exhibition that includes sculptures, text works, installations, and videos ranging from 1995 to today. The show aims, in part, to explore dissatisfaction around the pursuit of the American Dream and how it is expressed. The curatorial premise was inspired by artist Cady Noland鈥檚 (b. 1956) writings on and stated thinking about the American tendency to express violence through socially acceptable release valves such as figuratively 鈥渢rashing鈥� celebrities on the one hand and conning or preying on populations outside of dominant power structures 鈥� often in the name of entrepreneurship 鈥� on the other.
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Franklin Street Works opened the group show 鈥淚 hear it everywhere I go鈥� on the occasion of our annual fundraiser party, Sept 16h. In keeping with our receptions being free and open to the public we are having a public reception and tour mid-way through the show鈥檚 run on November 11 from 5:00 鈥� 8:00 pm. The event will include a casual artist walkthrough at 6pm with curator Terri C Smith and exhibiting artists, including Jen DeNike and Michael Blake.
鈥淚 hear it everywhere I go鈥� is a group exhibition that includes sculptures, text works, installations, and videos ranging from 1995 to today. The show aims, in part, to explore dissatisfaction around the pursuit of the American Dream and how it is expressed. The curatorial premise was inspired by artist Cady Noland鈥檚 (b. 1956) writings on and stated thinking about the American tendency to express violence through socially acceptable release valves such as figuratively 鈥渢rashing鈥� celebrities on the one hand and conning or preying on populations outside of dominant power structures 鈥� often in the name of entrepreneurship 鈥� on the other.
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